{"id":46835,"date":"2022-03-10T01:09:00","date_gmt":"2022-03-10T01:09:00","guid":{"rendered":"https:\/\/oafdn.ca\/?p=46835"},"modified":"2022-06-25T03:11:02","modified_gmt":"2022-06-25T03:11:02","slug":"fay-nass-awarded-2022-gina-wilkinson-prize","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/fay-nass-awarded-2022-gina-wilkinson-prize\/","title":{"rendered":"Fay Nass re\u00e7oit le Prix Gina Wilkinson 2022"},"content":{"rendered":"
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Toronto \u2013 le 10 mars 2022 \u2013 Le Comit\u00e9 du prix Gina Wilkinson a le plaisir d'annoncer qu'Fay Nass<\/strong> est la laur\u00e9ate du onzi\u00e8me prix Gina Wilkinson<\/a> annuel. Le prix reconnait les artistes de th\u00e9\u00e2tre qui s'identifient en tant que femmes, \u00e0 toute \u00e9tape de leur carri\u00e8re, et qui mettent la communaut\u00e9 et les nouveaux mod\u00e8les de cr\u00e9ation au c\u0153ur de leur leadership artistique.<\/p>\n

Laur\u00e9ate du Prix<\/strong><\/p>\n

\"Fay<\/p>\n

Fay Nass<\/strong> vit sur le territoire ancestral, traditionnel et non c\u00e9d\u00e9 des peuples salish de la c\u00f4te : nations S\u1e35wx\u0331w\u00fa7mesh (Squamish), St\u00f3:l\u014d et S\u0259l\u0313i\u0301lw\u0259ta\u0294\/Selilwitulh (Tsleil-Waututh) et x\u02b7m\u0259\u03b8k\u02b7\u0259y\u0313\u0259m (Musqueam).<\/i><\/p>\n

Fay est une r\u00e9alisatrice, auteure, dramaturge, innovatrice, productrice et \u00e9ducatrice engag\u00e9e dans la communaut\u00e9. Iel est directrice artistique de la compagnie de th\u00e9\u00e2tre frank et fondatrice et directrice artistique de Aphotic Theatre.\u00a0<\/p>\n

Fay a plus de dix-sept ans d'exp\u00e9rience dans le travail bas\u00e9 sur le texte et iel cr\u00e9e des \u0153uvres profond\u00e9ment enracin\u00e9es dans des approches collaboratives et interculturelles. Le travail de Fay examine souvent les questions de race, de genre, de sexualit\u00e9, de culture et de langage au travers d'une lentille intersectionnelle afin de faire bouger les significations et de d\u00e9construire les paradigmes enracin\u00e9s dans notre soci\u00e9t\u00e9. Le travail de Fay c\u00e9l\u00e8bre l'empathie et brouille la fronti\u00e8re entre le politique et les histoires personnelles intimes.<\/span><\/p>\n

Le travail de Fay a \u00e9t\u00e9 pr\u00e9sent\u00e9 au PuSh International Performing Arts Festival, au SummerWorks Festival, au Queer Arts Festival, au CULTCH et au Firehall Arts Centre. Ses lectures et son travail exp\u00e9rimental ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans diverses conf\u00e9rences et galeries d'artistes en Espagne, \u00e0 Berlin et \u00e0 Paris. Leur projet de co-cr\u00e9ation Be-Longing a fait partie du Festival international du film de New York 2021, du Festival international du film NICE et du Festival international du film de Madrid.<\/p>\n

Ses cr\u00e9dits les plus r\u00e9cents incluent : la r\u00e9alisation de I Cannot Lie to the Stars that Made me<\/i> (le th\u00e9\u00e2tre frank theatre), la r\u00e9alisation du film documentaire Art Connects<\/i> (Aphotic Theatre), la co-cr\u00e9ation de Be-Longing (le th\u00e9\u00e2tre frank theatre), la co-r\u00e9alisation de Trans Script Part I: The Women<\/i> (le th\u00e9\u00e2tre frank theatre et Zee Theatre au Firehall Arts Centre), la mise en sc\u00e8ne She Mami Wata & the Pussy WitchHunt<\/i> (le th\u00e9\u00e2tre frank theatre au PuSh Festival 2020), la co-r\u00e9alisation Straight White Men<\/i> (productions ITSAZOO au Gateway Theatre). Fay est titulaire d'une ma\u00eetrise en beaux-arts de l'Universit\u00e9 Simon Fraser. Actuellement, Fay a \u00e9t\u00e9 s\u00e9lectionn\u00e9e pour la r\u00e9sidence en leadership artistique \u00e0 l'\u00c9cole nationale de th\u00e9\u00e2tre du Canada en 2020.<\/p>\n

En tant que leader artistique et praticienne, Fay entretient des relations profondes et impliqu\u00e9es - \u00e0 la fois cr\u00e9atives et organisationnelles - avec un large \u00e9ventail d'artistes \u00e0 travers les g\u00e9n\u00e9rations et les pratiques stylistiques. En tant qu'\u00e9ducatrice et facilitatrice, leur philosophie et leur p\u00e9dagogie sont ancr\u00e9es dans l'antiracisme et l'anti-oppression.
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D\u00e9claration de l'artiste<\/strong>
\n\u00ab Je suis touch\u00e9e et honor\u00e9e par cette reconnaissance, car je me tiens parmi de nombreuses femmes inspirantes et r\u00e9silientes. Cela inclut la compagnie de mes pr\u00e9d\u00e9cesseures, celles qui m'ont pr\u00e9c\u00e9d\u00e9 et celles qui marchent \u00e0 mes c\u00f4t\u00e9s. Elles m'ont donn\u00e9 le courage et la force de continuer, peu importe \u00e0 quel point le chemin a \u00e9t\u00e9 solitaire et difficile. J'ai \u00e9t\u00e9 vue \u00e0 travers le regard de ces femmes : ma m\u00e8re qui a quitt\u00e9 son pays et son identit\u00e9 pour que ma s\u0153ur et moi puissions r\u00eaver ; ma tante, une actrice en Iran qui a continu\u00e9 \u00e0 se battre pour sa voix et qui m'a inspir\u00e9 \u00e0 devenir artiste de th\u00e9\u00e2tre quand j'\u00e9tais enfant. Des femmes comme mes mentors Judith Hogan et Brenda Leadlay, et mes coll\u00e8gues d'bi young Anitafrika et Nadia Ross qui m'ont tenue et inspir\u00e9e tout au long de leur chemin par leur art, leur intelligence, leur po\u00e9sie, leur activisme et leur passion. Merci d'avoir cru en mon travail.<\/p>\n

Le travail de ma vie a \u00e9t\u00e9 la c\u00e9l\u00e9bration de la narration intersectionnelle et l'adoption du transculturalisme. Ce prix est une merveilleuse affirmation du travail que j'accomplis depuis pr\u00e8s de deux d\u00e9cennies, en particulier la cr\u00e9ation de nouveaux mod\u00e8les et m\u00e9thodologies ancr\u00e9s dans l'\u00e9quit\u00e9 et l'inclusion, mettant en lumi\u00e8re et amplifiant les voix des communaut\u00e9s f\u00e9minines, trans, non binaires, LGBTQ2+ et BIPOC. \u00catre vue et reconnue est un sentiment rare et beau. Je remercie sinc\u00e8rement tous les membres du comit\u00e9 pour ce prix, et j'exprime ma gratitude \u00e0 Gina Wilkinson pour avoir rendu cela possible. \u00bb<\/p>\n

Finalistes<\/span><\/strong><\/p>\n

\"Nina<\/p>\n

Nina Lee Aquino<\/strong> T\u2019karonto, couvert par le Trait\u00e9 13, sous l'accord de la ceinture Wumpum du plat \u00e0 une cuill\u00e8re.<\/i><\/p>\n

Avec une s\u00e9rie de premi\u00e8res dans le th\u00e9\u00e2tre canadien d'origine asiatique, Nina Lee Aquino a \u00e9t\u00e9 la directrice artistique fondatrice de la compagnie th\u00e9\u00e2trale canadienne d'origine asiatique fu-GEN, a organis\u00e9 la premi\u00e8re conf\u00e9rence th\u00e9\u00e2trale canadienne d'origine asiatique, a \u00e9dit\u00e9 la premi\u00e8re (2 volumes) anthologie de pi\u00e8ces de th\u00e9\u00e2tre canadiennes d'origine asiatique, et co-\u00e9dit\u00e9 le premier livre (prim\u00e9) sur le th\u00e9\u00e2tre canadien d'origine asiatique.<\/p>\n

Elle est devenue directrice artistique de Cahoots Theatre, occupe actuellement le m\u00eame poste au Factory Theatre et elle est la nouvelle directrice artistique du Th\u00e9\u00e2tre anglais du Centre national des arts. Nina est aussi la pr\u00e9sidente de l'Association professionnelle des th\u00e9\u00e2tres canadiens.<\/span><\/p>\n

Elle a dirig\u00e9 des th\u00e9\u00e2tres au travers du Canada et elle a remport\u00e9 le prix Ken McDougall Award, le prix John Hirsch Prize, le prix de la meilleure r\u00e9alisatrice du Toronto Theatre Critics, et trois Dora Awards pour mise en sc\u00e8ne exceptionnelle.<\/p>\n

Nina a co-\u00e9crit \u00ab Miss Orient(ed)<\/i> \u00bb and ses monologues ont \u00e9t\u00e9 publi\u00e9s dans \u00ab Beyond the Pale<\/i> \u00bb et \u00ab She Speaks<\/i> \u00bb (Playwrights Canada Press).<\/p>\n

Nina a enseign\u00e9 et mis en sc\u00e8ne dans des \u00e9tablissements d'enseignement de la ville et a r\u00e9cemment \u00e9t\u00e9 nomm\u00e9e professeure auxiliaire au d\u00e9partement de th\u00e9\u00e2tre de l'Universit\u00e9 York. Elle est la laur\u00e9ate 2019 du prix de leadership culturel Margo Bindhart et Rita Davies de la Toronto Arts Foundation.<\/p>\n

\u00a0<\/p>\n

\"Hazel\n

Hazel Venzon<\/strong> Territoire du Trait\u00e9 1, Winnipeg MB<\/i><\/p>\n

Hazel est une r\u00e9alisatrice dont la pratique est influenc\u00e9e par l'esth\u00e9tique de l'art relationnel et les pratiques engag\u00e9es dans la communaut\u00e9 en tant que v\u00e9hicule pour mener des exp\u00e9riences immersives et interculturelles dans le th\u00e9\u00e2tre et la performance en direct.\u00a0<\/span><\/p>\n

Directrice aux multiples facettes, l'exp\u00e9rience diversifi\u00e9e de Venzon en tant qu'artiste de th\u00e9\u00e2tre a grandement influenc\u00e9 sa pratique actuelle de mise en sc\u00e8ne. Tr\u00e8s t\u00f4t, elle a d\u00e9couvert que les pi\u00e8ces conventionnelles ne repr\u00e9sentaient pas fid\u00e8lement le monde multiculturel qu'elle occupait. Depuis, Venzon a cr\u00e9\u00e9 des opportunit\u00e9s de collaboration avec des compagnies ind\u00e9pendantes qui contournent les r\u00e8gles de caract\u00e8re et dont le travail lib\u00e8re les carcans de l'identit\u00e9. Elle a poursuivi la r\u00e9alisation, l'\u00e9criture et la production de nouvelles \u0153uvres avec des compagnies ind\u00e9pendantes embl\u00e9matiques telles que Theatre Replacement, The Chop, Urban Crawl, Boca Del Lupo, Vancouver Asian Canadian Theatre et Mammalian Diving Reflex.\u00a0<\/p>\n

Ind\u00e9pendamment, au cours des douze derni\u00e8res ann\u00e9es, elle s'est concentr\u00e9e sur la r\u00e9alisation d'histoires centr\u00e9es sur les Philippins-Canadiens. Venzon a cofond\u00e9 U N I Together Productions (2016) qui soutient l'\u00e9volution des conteurs philippins \u00e0 travers le pays par la production, la r\u00e9alisation, la dramaturgie, le mentorat et la consultation - apportant de nouvelles fa\u00e7ons de diriger et de mettre en sc\u00e8ne des r\u00e9cits qui c\u00e9l\u00e8brent le public, inspirant la connexion.<\/p>\n

\u00a0<\/div>\n

Nominations and Comit\u00e9 de S\u00e9lection<\/strong>

\n\nLes 11 candidatures de partout au pays d\u00e9montrent l'incroyable diversit\u00e9, dynamisme et passion de ce groupe de cheffes artistiques au service de leurs communaut\u00e9s. Elles \u00e9taient inspirantes, originales et d\u00e9di\u00e9es \u00e0 la cr\u00e9ation d'espaces positifs centr\u00e9s sur les soins et la pratique innovante.<\/p>\n

Le Prix Gina Wilkinson a \u00e9t\u00e9 \u00e9tabli gr\u00e2ce au soutien g\u00e9n\u00e9reux des coll\u00e8gues et admirateurs de Gina \u00e0 travers le pays. Le Comit\u00e9 (Micheline Chevrier, Bonnie Green, Krista Jackson, Lindsay Lachance, Kimberley Rampersad, Tom Rooney et Jovanni Sy) remercie chaleureusement tous ces supporteurs. Gr\u00e2ce \u00e0 leur incroyable g\u00e9n\u00e9rosit\u00e9, l'esprit de Gina perdure.<\/span><\/span><\/p>\n

A propos du Prix<\/strong><\/p>\n

Le prix Gina honore une artiste de th\u00e9\u00e2tre \/ cheffe de file s'identifiant comme femme qui explore de nouveaux mod\u00e8les de narration dans les communaut\u00e9s th\u00e9\u00e2trales diverses et culturellement sp\u00e9cifiques de ce qui est maintenant connu sous le nom de Canada. Le prix rend hommage \u00e0 Gina Wilkinson, d\u00e9c\u00e9d\u00e9e en 2010, et dont le d\u00e9vouement, la vision et l'esprit indomptable ont impr\u00e9gn\u00e9 son travail et sa vie.<\/span><\/p>\n

Le talent artistique interdisciplinaire de Gina en tant que danseuse, artiste visuelle, com\u00e9dienne, dramaturge et metteuse en sc\u00e8ne l'a impos\u00e9e comme une dirigeante et une collaboratrice audacieuse, forte et inventive du th\u00e9\u00e2tre canadien. Elle croyait en la n\u00e9cessit\u00e9 de s'amuser dans la salle de r\u00e9p\u00e9tition, sur sc\u00e8ne et en coulisses, et dans tous les aspects de la vie. Dans l'esprit de l'app\u00e9tit de Gina pour la vie, le prix est un cadeau \u00e0 utiliser de la mani\u00e8re choisie par la r\u00e9cipiendaire. La laur\u00e9ate du prix re\u00e7oit un prix d'un montant de 10 000 dollars et 2 500 dollars sont attribu\u00e9s \u00e0 chaque finaliste.\u00a0<\/span><\/p>\n

Un immense merci \u00e0 la fondation The Kingfisher Foundation, Debbie Gray et toutes et tous qui ont g\u00e9n\u00e9reusement contribu\u00e9 \u00e0 la campagne de lev\u00e9 de fonds pour le dixi\u00e8me anniversaire. Nous sommes tr\u00e8s reconnaissants de votre soutien !<\/span><\/p>\n

Pour contribuer au Prix Gina : https:\/\/www.oafdn.ca\/make-a-donation.<\/span><\/a><\/p>\n

Le prix Gina honore les artistes qui travaillent \u00e0 travers l\u2019\u00eele de la Tortue sur les territoires faisant l'objet de trait\u00e9s et ceux non c\u00e9d\u00e9s. Gr\u00e2ce \u00e0 ce prix, nous cherchons \u00e0 reconna\u00eetre et \u00e0 amplifier leur relation avec la terre sur laquelle elles vivent et les communaut\u00e9s qu'elles servent.\u00a0 \u00a0<\/i><\/p>\n

-30-<\/span><\/p>\n


Pour plus d'information sur le Prix:
<\/strong>Krista Jackson & Kimberley Rampersad, Co-cheffes de comit\u00e9<\/span>
ginasprize@gmail.com<\/a>
www.ginasprize.ca<\/a><\/span><\/p>\n


Pour plus d'information sur la fondation des arts de l'Ontario :<\/strong>
<\/strong><\/span>Bruce Bennett, directeur g\u00e9n\u00e9ral
Fondation des arts de l'Ontario\u00a0
416-969-7413 |\u00a0bbennett@oafdn.ca<\/a><\/span><\/p>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Toronto\u00a0 \u2013 March 10, 2022 \u2013\u00a0The Gina Wilkinson Prize Committee is pleased to announce that\u00a0Fay Nass\u00a0is the recipient of the 11th annual\u00a0Gina Wilkinson Prize. Gina’s Prize recognizes woman-identifying theatre artists who, at any stage of their practice, place community and new creation models at the heart of their artistic leadership. Award Recipient Fay Nass\u00a0lives on […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[18],"tags":[],"class_list":["post-46835","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"yoast_head":"\nFay Nass Awarded 2022 Gina Wilkinson Prize - Ontario Arts Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oafdn.ca\/fr\/fay-nass-awarded-2022-gina-wilkinson-prize\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fay Nass Awarded 2022 Gina Wilkinson Prize - Ontario Arts Foundation\" \/>\n<meta property=\"og:description\" content=\"Toronto\u00a0 \u2013 March 10, 2022 \u2013\u00a0The Gina Wilkinson Prize Committee is pleased to announce that\u00a0Fay Nass\u00a0is the recipient of the 11th annual\u00a0Gina Wilkinson Prize. 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Gina’s Prize recognizes woman-identifying theatre artists who, at any stage of their practice, place community and new creation models at the heart of their artistic leadership. 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