{"id":46448,"date":"2020-03-10T05:38:00","date_gmt":"2020-03-10T05:38:00","guid":{"rendered":"https:\/\/oafdn.ca\/?p=46448"},"modified":"2022-03-26T05:41:11","modified_gmt":"2022-03-26T05:41:11","slug":"jasmine-chen-awarded-2020-ginas-prize-for-emerging-female-directors","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/jasmine-chen-awarded-2020-ginas-prize-for-emerging-female-directors\/","title":{"rendered":"Jasmine Chen re\u00e7oit le Prix Gina Wilkinson 2020"},"content":{"rendered":"
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Toronto \u2013 le 10 mars 2020 \u2013 Le comit\u00e9 du Prix Gina Wilkinson est heureux d\u2019annoncer que Jasmine Chen<\/strong> de Vancouver est la neuvi\u00e8me laur\u00e9ate du Prix Gina Wilkinson pour metteures en sc\u00e8ne \u00e9mergentes. Ce prix annuel de 5 000 dollars honore des artistes de th\u00e9\u00e2tre femmes qui effectue une conversion vers la mise en sc\u00e8ne.<\/p>\n

\"Jasmine<\/p>\n

A propos de Jasmine Chen<\/strong>
\nJasmine est une artiste multidisciplinaire sino-canadienne bas\u00e9e \u00e0 Toronto \/ Vancouver. Elle est la cr\u00e9atrice de \u00ab The Mother Tongue Project \u00bb qui a \u00e9t\u00e9 pr\u00e9sent\u00e9 sur CBC Arts et dans le magazine F\u00eate Chinoise. Sa pi\u00e8ce de th\u00e9\u00e2tre participatif bilingue \u00ab The Gateway Language Exchange Gameshow \u00bb a \u00e9t\u00e9 mise en avant dans le Richmond News pour avoir r\u00e9uni des locuteurs du mandarin et anglophone de plusieurs g\u00e9n\u00e9rations. Elle a jou\u00e9 sur les sc\u00e8nes du Festival de Stratford, du Festival Shaw, de Canadian Stage, du Royal Manitoba Theatre Centre, du Young People\u2019s Theatre, du Arts Club, du Prairie Theatre Exchange, parmi d'autres. Ses cr\u00e9dits de mise en sc\u00e8ne incluent: \u00ab Hilot Means Healer (Cahoots Theatre \/ b current), \u00ab Yellow Rabbit \u00bb (Silk Bath \/ Soulpepper), \u00ab Madness of the Square \u00bb (Lift Off \/ Cahoots), \u00ab Goodnight Desdemona \u00bb (Good Morning Juliet) (Banff \/ Citadel), \u00ab Le Ba-Ta-Clan \u00bb (Opera 5), \u00ab DIRT \u00bb (Forward March Festival). Jasmine est la laur\u00e9ate du prix Jean Gascon du festival de Stratford, du prix Harold de Toronto et elle a \u00e9t\u00e9 nomin\u00e9e pour un prix Dora Mavor Moore. Jasmine est la nouvelle productrice artistique et communautaire du Gateway Theatre de Richmond, en Colombie-Britannique. Site internet : msjasminechen.com<\/a><\/p>\n

\u00a0<\/p>\n

Citations<\/strong>
\n \u00ab Je n'ai jamais eu le privil\u00e8ge de rencontrer Gina. Gr\u00e2ce \u00e0 ses amis et coll\u00e8gues, j'ai entendu des histoires de sa convivialit\u00e9, de sa magie, de ses tenues fabuleuses, de son intr\u00e9pidit\u00e9, mais surtout de sa g\u00e9n\u00e9rosit\u00e9. Je suis inspir\u00e9e par son h\u00e9ritage et les pr\u00e9c\u00e9dentes laur\u00e9ates de ce prix, dont beaucoup ont eu un impact profond sur moi, m'incitant \u00e0 ouvrir encore plus de portes aux autres.<\/p>\n

Je suis profond\u00e9ment reconnaissante \u00e0 la famille choisie que j\u2019ai trouv\u00e9e dans notre communaut\u00e9 nationale. Merci \u00e0 Norman Yeung, Victoria Wang, Miquelon Rodriguez, Meg Roe et au jury de s\u00e9lection d'avoir cru en ma nomination. Je suis redevable aux femmes pionni\u00e8res qui sont venues avant moi et m'ont encourag\u00e9e \u00e0 \u00e9couter et \u00e0 faire confiance \u00e0 ma voix. Ce prix reconna\u00eet ce qui passe si souvent inaper\u00e7u: une transition qui demande sacrifice, rigueur et courage. Je n'aurais pas eu ce courage sans le soutien ind\u00e9fectible de ma communaut\u00e9. \u00c0 mes mentors, Marjorie Chan, Esther Jun, Chris Abraham, David Yee, Meg Roe, Brian Quirt, Nina Lee Aquino, Tanisha Taitt, Jovanni Sy et bien d'autres: merci de voir en moi ce que je n'y avais pas encore d\u00e9couvert.<\/span><\/span><\/p>\n

En recevant cet honneur, je veux dire ceci: lorsque vous investissez dans des artistes, un peu d'encouragement va tr\u00e8s loin. Sans champions, sans les gens pour vous dire de continuer, il y a trop de voix artistiques naissantes qui se perdent en cours de route. Dans l\u2019esprit de g\u00e9n\u00e9rosit\u00e9 de Gina, je voudrais reconna\u00eetre deux artistes de la nouvelle g\u00e9n\u00e9ration qui m\u2019inspirent et ouvrent la voie dans leurs propres communaut\u00e9s, ce sont: Rinchen Dolma et Kemi King. \u00bb<\/span>

<\/span><\/p>\n

Candidates pr\u00e9s\u00e9lectionn\u00e9es<\/strong>
\nMs. Chen a \u00e9t\u00e9 s\u00e9lectionn\u00e9e parmi une courte liste qui comprend, par ordre alphab\u00e9tique, Diana Donnelly<\/strong> (Montr\u00e9al), Chanda Gibson<\/strong> (Hamilton), et Chiamaka G. Ugwu<\/strong> (Toronto). Chaque candidate pr\u00e9s\u00e9lectionn\u00e9e recevra 1 000 dollars.<\/p>\n

Diana Donnelly<\/strong> est une r\u00e9alisatrice et actrice originaire de Montr\u00e9al. En 2019, elle a mis en sc\u00e8ne \u00ab The Russian Play \u00bb de Hannah Moscovitch au Shaw Festival. Diana \u00e9tait directrice stagiaire Neil Munro au Festival Shaw en 2018. Elle \u00e9tait directrice adjointe de Ravi Jain pour \u00ab The Orchard: After Chekhov \u00bb et de Craig Hall pour \u00ab The Hound of the Baskervilles \u00bb. Son projet de mise en sc\u00e8ne au Festival Shaw \u00e9tait \u00ab Far Away \u00bb de Caryl Churchill. Elle a \u00e9t\u00e9 finaliste du prix RBC Rising Star Emerging Director du Crow\u2019s Theatre en 2019. Diana est dipl\u00f4m\u00e9e de l'\u00c9cole nationale de th\u00e9\u00e2tre o\u00f9 elle est actuellement mentor. Elle a travaill\u00e9 \u00e0 travers le pays en tant qu'actrice. Elle a remport\u00e9 le prix du meilleur ensemble Dora en 2018 avec ses camarades de casting pour \u00ab J\u00e9rusalem \u00bb (Company Theatre \/ Outside the March). Cet \u00e9t\u00e9, elle pourra \u00eatre vue dans \u00ab M. Butterfly \u00bb au Soulpepper Theatre. Diana mettra en sc\u00e8ne \u00ab Sexual Misconduct of the Middle Classes \u00bb au Grand Theatre en 2021. Elle est tr\u00e8s reconnaissante de cette distinction et en excellente compagnie.<\/p>\n

Chanda Gibson<\/strong>, actrice et artiste franco-ontarienne polyvalente, est dipl\u00f4m\u00e9e du D\u00e9partement de th\u00e9\u00e2tre de l'Universit\u00e9 d'Ottawa (2005). Elle a jou\u00e9 dans de nombreuses productions th\u00e9\u00e2trales, dont \u00ab Le Pass\u00e9 ant\u00e9rieur \u00bb (Th. L\u2019\u00cele); \u00ab Exit(s) \u00bb (Catapulte \/ TNO); \u00ab Silence en Coulisses! \u00bb (Th. Du Trillium); \u00ab Le D\u00e9sir \u00bb (Th. L\u2019\u00cele); \u00ab Les M\u00e9decins de Moli\u00e8re \u00bb (Catapulte \/ TfT); \u00ab Boeing Beoing \u00bb (Th.l\u2019\u00cele); iShow \u00bb (PCC); \u00ab Les Pr\u00e9cieuses ridicules \u00bb (TfT); ainsi que \u00ab Peau \u00bb (She Said Films). \u00c0 la t\u00e9l\u00e9vision, ses projets incluent \u00ab M\u00e9t\u00e9o + \u00bb, \u00ab Les Bleus de Ramville \u00bb, \u00ab Motel Monstre \u00bb (TFO), \u00ab Consensus \u00bb (TV5 \/ Web), \u00ab Vision Polyphonique \u00bb (TV5 \/ Web) et \u00ab Toi et Moi III \u00bb (RDI). Elle d\u00e9peint \u00e9galement l'exub\u00e9rante Dame Viviane dans \u00ab Mehdi & Val \u00bb, une \u00e9mission de t\u00e9l\u00e9vision fran\u00e7aise pour enfants produite par Slalom (RDI). La carri\u00e8re de r\u00e9alisatrice de Chanda a commenc\u00e9 avec des productions pour jeunes publics (\u00ab Les Zinspir\u00e9s: Cinq sur Cinq \u00bb, \u00ab Six degr\u00e9s de s\u00e9paration \u00bb et \u00ab L'\u00c2ge de raison \u00bb) pour lesquelles elle a re\u00e7u deux prix Dora-Mavor-Moore pour direction exceptionnelle en 2017-18 et 2018-19 et l'automne dernier, elle a dirig\u00e9 la com\u00e9die classique absurde d'Eug\u00e8ne Ionesco \u00ab La cantatrice chauve \u00bb au Th\u00e9\u00e2tre fran\u00e7ais de Toronto (TfT). Chanda est honor\u00e9e d'avoir \u00e9t\u00e9 consid\u00e9r\u00e9e pour le prix Gina Wilkinson pour metteures en sc\u00e8ne \u00e9mergentes et souhaite remercier le jury et f\u00e9liciter la laur\u00e9ate de cette ann\u00e9e.<\/p>\n

Chiamaka G. Ugwu<\/strong> (elle) est un actrice-cr\u00e9atrice interdisciplinaire, \u00e9crivaine, r\u00e9alisatrice et productrice. En tant qu'actrice nomin\u00e9 pour les prix Dora, Chiamaka a travaill\u00e9 dans des th\u00e9\u00e2tres \u00e0 travers le pays, notamment Neptune Theatre, Odyssey Theatre, New Harlem Productions, Modern Times Stage Company et Aluna Theatre. En tant que metteure en sc\u00e8ne, Chiamaka a beaucoup travaill\u00e9 dans le d\u00e9veloppement de nouvelles pi\u00e8ces de th\u00e9\u00e2tre, notamment en dirigeant les ateliers de \u00ab Broken Windows \u00bb (bcurrent, Theater InspiraTO), \u00ab The Disappearance of Laura May \u00bb (fuGEN Theatre), \u00ab Don't Talk to Me Like I'm Your Wife \u00bb (Factory Th\u00e9\u00e2tre) ainsi que la cr\u00e9ation, la production et la mise en sc\u00e8ne dans le cadre du laboratoire d'exp\u00e9rimentation \u00ab Cardinal Direction Experimentation Lab \u00bb pour les femmes r\u00e9alisatrices \u00e9mergentes de couleur. Ses autres cr\u00e9dits de mise en sc\u00e8ne incluent \u00ab The Twelve-Forty \u00bb (Theatre InspiraTO - People's Choice Award) et \u00ab Neck-Breaking Car-Hop \u00bb (Theatre Erindale), ainsi que des mentorats de r\u00e9alisatrice adjointe au Nightwood Theatre avec Weyni Mengesha, au Factory Theatre avec Judith Thompson, et au projet AMY avec Maya Rabanovitch et Lisa Codrington. Dans sa formation, Chiamaka a recherch\u00e9 des opportunit\u00e9s qui c\u00e9l\u00e8brent son travail interdisciplinaire, notamment en tant que boursi\u00e8re Chalmers, ainsi qu'une formation avec la soci\u00e9t\u00e9 SITI, Kristin Linklater, Directors Lab North et le programme de formation \u00ab Artist Producer Training Program \u00bb de Generator. En tant qu'auteure, Chiamaka \u00e9crit actuellement sa premi\u00e8re pi\u00e8ce \u00ab Swallow \u00bb qui suit un doctorant dont l'\u00e9tude d'une d\u00e9esse Igbo perturbe ses relations romantiques, familiales et spirituelles \u00e0 la veille de la mort de son p\u00e8re. Elle est honor\u00e9e d'avoir \u00e9t\u00e9 pr\u00e9s\u00e9lectionn\u00e9e pour le prestigieux prix Gina Wilkinson.<\/p>\n

Nominations et Comite du Prix Gina Wilkinson<\/strong>
\nLe Comit\u00e9 a re\u00e7u 21 candidatures de partout au pays et a \u00e9t\u00e9 ravi par le calibre des artistes en lice pour le prix. Les nominations repr\u00e9sentaient un groupe incroyablement diversifi\u00e9, intelligent et passionn\u00e9 d'artistes qui, en tant que metteurs en sc\u00e8ne \u00e9mergents, sont clairement d\u00e9vou\u00e9s \u00e0 cr\u00e9er non seulement un environnement vivant, rigoureux et positif pour la cr\u00e9ation th\u00e9\u00e2trale mais aussi \u00e0 offrir au public dans leurs communaut\u00e9s des exp\u00e9riences th\u00e9\u00e2trales de tout premier ordre.<\/p>\n

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Le Prix Gina Wilkinson a \u00e9t\u00e9 cr\u00e9\u00e9 gr\u00e2ce au g\u00e9n\u00e9reux soutien des coll\u00e8gues et admirateurs de Gina \u00e0 travers le pays. Le comit\u00e9 (Micheline Chevrier, Bonnie Green, Eda Holmes, Krista Jackson, Lindsay Lachance, Tom Rooney et Jovanni Sy) \u00e9tend ses remerciements les plus sinc\u00e8res \u00e0 tous ces soutiens. Gr\u00e2ce \u00e0 cette g\u00e9n\u00e9rosit\u00e9, l'esprit de Gina continue de vivre.<\/span><\/p>\n

Le Prix Gina Wilkinson<\/strong>
\nLe Prix Gina Wilkinson<\/a> honore une artiste de th\u00e9\u00e2tre qui effectue une transition d\u2019une discipline th\u00e9\u00e2trale (actrice, sc\u00e9nographe, dramaturge, administration, etc.) vers la mise en sc\u00e8ne. Le Prix rend hommage \u00e0 l\u2019actrice, dramaturge, metteur en sc\u00e8ne Gina Wilkinson dont le d\u00e9vouement, la vision et l\u2019esprit indomptable ont impr\u00e9gn\u00e9 sa vie et son travail. Une actrice pour plus de vingt ans, Mme Wilkinson a commenc\u00e9 \u00e0 tourner son attention vers l'\u00e9criture et la mise en sc\u00e8ne et, dans les derni\u00e8res ann\u00e9es de sa trop courte vie, elle s'est \u00e9tablie comme une collaboratrice et metteur en sc\u00e8ne pleine d\u2019audace, forte et inventive dans le milieu du th\u00e9\u00e2tre canadien. Dans l\u2019esprit de l\u2019app\u00e9tit pour la vie de Mme Wilkinson, ce Prix de 5 000 dollars est un cadeau que la laur\u00e9ate peut utiliser de la mani\u00e8re qu\u2019elle le souhaite.<\/p>\n

La Fondation des arts de l'Ontario g\u00e8re le fonds de dotation qui finance le prix. Toute personne souhaitant faire un don peut le faire ici: www.oafdn.ca<\/a>.<\/p>\n

Les trois derniers laur\u00e9ates sont Anita La Selva<\/strong> (2019), Tanja Jacobs<\/strong> (2018), et Kimberley Rampersad<\/strong> (2017). Liste compl\u00e8te des laur\u00e9ats pr\u00e9c\u00e9dents du prix Gina Wilkinson<\/a>.<\/p>\n

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Pour plus d'information, veuillez contacter :<\/em><\/strong>\u00a0<\/span><\/p>\n\n\n\n
\n

Tom Rooney
<\/span>Le Comit\u00e9 du Prix Gina Wilkinson
ginasprize@gmail.com<\/a>\u00a0
www.ginasprize.ca<\/a>\u00a0<\/p>\n<\/td>\n

\n

Alan Walker, Directeur g\u00e9n\u00e9ral
<\/span>Fondation des arts de l'Ontario
Tel: (416) 969-7413,\u00a0awalker@oafdn.ca<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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La Fondation des arts de l\u2019Ontario (FAO) est passionn\u00e9ment engag\u00e9e \u00e0 renforcer le soutien \u00e0 long terme pour les arts en Ontario. En 2018-2019, la FAO a vers\u00e9 plus de 4,35 millions de dollars en revenus de dotation et 315 000 dollars en prix et bourses.<\/p>\n

This document is also available in English.\u00a0<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Toronto\u00a0 \u2013 March 10, 2020 \u2013\u00a0The Gina Wilkinson Prize Committee is pleased to announce that\u00a0Jasmine Chen\u00a0is\u00a0the recipient of the ninth annual\u00a0Gina Wilkinson Prize for an Emerging Female Director.\u00a0 This annual prize of $ 5,000 honours female theatre artists transitioning to directing. About Jasmine ChenJasmine is a Chinese-Canadian multidisciplinary artist based in Toronto\/Vancouver.\u00a0 She is the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[18],"tags":[],"class_list":["post-46448","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"yoast_head":"\nJasmine Chen Awarded 2020 Gina\u2019s Prize for Emerging Female Directors - Ontario Arts Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oafdn.ca\/fr\/jasmine-chen-awarded-2020-ginas-prize-for-emerging-female-directors\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jasmine Chen Awarded 2020 Gina\u2019s Prize for Emerging Female Directors - Ontario Arts Foundation\" \/>\n<meta property=\"og:description\" content=\"Toronto\u00a0 \u2013 March 10, 2020 \u2013\u00a0The Gina Wilkinson Prize Committee is pleased to announce that\u00a0Jasmine Chen\u00a0is\u00a0the recipient of the ninth annual\u00a0Gina Wilkinson Prize for an Emerging Female Director.\u00a0 This annual prize of $ 5,000 honours female theatre artists transitioning to directing. 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