{"id":4635,"date":"2022-02-12T06:26:10","date_gmt":"2022-02-12T06:26:10","guid":{"rendered":"https:\/\/oafdn.ca\/?p=4635"},"modified":"2022-02-12T06:27:11","modified_gmt":"2022-02-12T06:27:11","slug":"interview-with-christina-petrowska-quilico","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/interview-with-christina-petrowska-quilico\/","title":{"rendered":"Entretien avec Christina Petrowska Quilico\u00a0"},"content":{"rendered":"
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\"PicturePrix Christina et Louis Quilico<\/strong><\/p>

Les Prix Christina et Louis Quilico ont \u00e9t\u00e9 cr\u00e9\u00e9s par Christina Petrowska Quilico en 2000 pour honorer la m\u00e9moire de son d\u00e9funt mari, le c\u00e9l\u00e8bre baryton Louis Quilico ainsi que pour reconna\u00eetre de talentueux jeunes chanteurs, pianistes et compositeurs pour voix. Au cours de ses quarante cinq ans sur sc\u00e8ne, Louis Quilico a partag\u00e9 l\u2019affiche avec Luciano Pavarotti, Placido Domingo, Jos\u00e9 Carreras, Joan Sutherland et Renata Tebaldi. Il a contribu\u00e9 \u00e0 faire avancer la carri\u00e8re de nombreux jeunes chanteurs \u00e0 travers son enseignement et ses ateliers de ma\u00eetre.<\/em><\/p>

Depuis 2000, les prix ont distribu\u00e9 presque 20 000 dollars \u00e0 des jeunes chanteurs, et cette ann\u00e9e le montant total des prix s\u2019\u00e9l\u00e8ve \u00e0 11 000 dollars. \u00a0\u00a0<\/em><\/p>

\u00a0<\/em><\/p>

Quel r\u00f4le ont eu les prix dans votre carri\u00e8re comme l\u2019une des pianistes classiques les plus c\u00e9l\u00e8bres du Canada ?<\/em><\/p>

J\u2019ai commenc\u00e9 les le\u00e7ons de piano \u00e9tant enfant au Conservatoire royal, et j\u2019ai \u00e9t\u00e9 accept\u00e9 dans un programme \u00e0 Julliard \u00e0 l\u2019\u00e2ge de quatorze ans. Au cours de ma carri\u00e8re, j\u2019ai re\u00e7u des subventions du Conseil des arts du Canada et des bourses d\u2019\u00e9tudes doctorales. Les prix et les bourses m\u2019ont fourni une aide financi\u00e8re qui m\u2019a beaucoup aid\u00e9, en me permettant de vivre et d\u2019\u00e9tudier \u00e0 New York. En tant que jeune artiste, tu n\u2019as pas les ressources financi\u00e8res pour couvrir les le\u00e7ons, les s\u00e9ances d\u2019encadrement et les auditions ; m\u00eame avec le soutien familial, les prix et les bourses sont tr\u00e8s importants. C\u2019est aussi une bonne chose de pouvoir inclure dans un CV que tes efforts et ton travail ont \u00e9t\u00e9 r\u00e9compens\u00e9s avec soit un prix ou une bourse.<\/p>

\u00a0<\/p>

Les Prix Christina et Louis Quilico prendront la forme d\u2019une comp\u00e9tition vocale cette ann\u00e9e avec les membres du COC Ensemble Studio. Quel est le r\u00f4le des comp\u00e9titions ?<\/em><\/p>

Je pense que participer \u00e0 des comp\u00e9titions est aussi important que de gagner le prix lors de l'\u00e9v\u00e9nement. Les comp\u00e9titions enseignent aux \u00e9tudiants \u00ab la survie \u00bb dans le monde de la musique. Vous apprendrez \u00e0 jouer, et comment accepter de gagner ou de ne pas gagner avec gr\u00e2ce et humilit\u00e9. Alors que j'\u00e9tais \u00e0 la Juilliard School, je voulais \u00eatre la meilleure, mais j'ai compris que j'avais la grande chance d\u2019\u00e9tudier l\u00e0-bas. Dans une comp\u00e9tition, vous apprendrez que, parfois, vous jouez vraiment bien, et pourtant ne gagnez pas, tandis que d'autres fois vous pouvez jouer pas aussi bien que vous \u00eates capable de le faire, et pourtant vous gagnez. L'exp\u00e9rience d'apprentissage de jouer devant des juges ou devant un public est un \u00e9l\u00e9ment essentiel du parcours pour devenir un artiste musical accompli. C'est aussi l'occasion pour les directeurs et producteurs d'entendre des talents qui ne re\u00e7oivent peut \u00eatre pas un prix, mais qui pourraient \u00eatre parfait pour un futur projet.\u00a0<\/p>

\u00a0<\/p>

Les prix sont-ils importants pour les artistes aujourd\u2019hui?<\/em><\/p>

Il en est de m\u00eame que quand j\u2019\u00e9tais \u00e9tudiante. Par exemple, pour le piano il ya tellement de comp\u00e9titions dans le monde, et les crit\u00e8res de participation sont devenus plus difficiles. Vous devez d\u00e9montrer que vous avez de l'exp\u00e9rience - dans d'autres comp\u00e9titions et \u00e0 jouer avec un orchestre complet - avant d\u2019\u00eatre accept\u00e9 comme candidat dans certaines grandes comp\u00e9titions. Les prix ajoutent \u00e0 votre cr\u00e9dibilit\u00e9, et - si vous gagnez \u2013 fournissent de rares ressources financi\u00e8res qui permettent de financer les co\u00fbts d'application, des voyages et de performance. Je dis \u00e0 mes \u00e9tudiants qu\u2019il est essentiel d'acqu\u00e9rir de l'exp\u00e9rience \u00e0 l'ext\u00e9rieur d'un studio. Vous ne pouvez pas dupliquer l'exp\u00e9rience d'\u00eatre sur sc\u00e8ne, de jouer avec un orchestre complet, o\u00f9 vous ne pouvez pas vous entendre au milieu de tous les autres instruments. Louis m'a pris sur la sc\u00e8ne du Metropolitan Opera. Un chanteur qui voit la taille de la salle, va penser, \u00ab je dois crier, hurler pratiquement pour que mes notes soient entendues \u00bb. Louis m'a montr\u00e9 comment on apprend \u00e0 projeter - la sc\u00e8ne est tr\u00e8s diff\u00e9rente d'un studio. Cela fait partie des raisons pour lesquelles les prix et concours sont si importants pour le d\u00e9veloppement des artistes musicaux. Une grande voix ne suffit pas, les jeunes doivent d\u00e9velopper une pr\u00e9sence sur sc\u00e8ne.<\/p>

\u00a0<\/p>

Comment avez-vous d\u00e9cid\u00e9 pour ce prix ?<\/em><\/p>

Louis avait voulu l\u2019\u00e9tablir avant sa mort - c'\u00e9tait vraiment sa vision d\u2019aider les jeunes chanteurs d'op\u00e9ra. Il avait d'abord esp\u00e9r\u00e9 cr\u00e9er une fondation. Nous avons appris qu\u2019une fondation exige beaucoup de travail \u00e0 cr\u00e9er et \u00e0 g\u00e9rer, sans parler de l'argent. C'est un peu un mythe que les chanteurs d'op\u00e9ra qui r\u00e9ussissent ont de grandes ressources financi\u00e8res. Il est devenu \u00e9vident que nous devions revoir \u00e0 nos ambitions. Le lancement d'un prix a \u00e9t\u00e9 quelque chose que nous pouvions faire pour l\u00e9guer un h\u00e9ritage \u00e0 la m\u00e9moire de la r\u00e9ussite de Louis en tant que chanteur et en tant que soutien aux g\u00e9n\u00e9rations futures. J\u2019ai aussi eu de la chance que Louis connaissait Janet Stubbs, et que nous avons appris l\u2019existence de la Fondation des arts de l'Ontario. La Fondation a pu nous aider Louis et moi \u00e0 atteindre son but sans \u00eatre accabl\u00e9s par la responsabilit\u00e9 de la gestion du prix. Louis \u00e9tait ravi de savoir que l'attribution irait aux jeunes chanteurs d'op\u00e9ra et que cela pourrait se produire \u00e0 Toronto. Sa carri\u00e8re \u00e9tait internationale, mais il aimait cette ville.<\/p>

\u00a0<\/p>

Le Prix a-t-il atteint vos objectifs ?<\/em><\/p>

C'est vraiment gratifiant de voir le fonds et les prix s\u2019accroitre au fil des ans. Plus important encore, d\u2019\u00eatre en mesure de voir les progr\u00e8s et le succ\u00e8s que les laur\u00e9ats ont atteint dans leurs propres carri\u00e8res. Tous les finalistes du prix de 2011 se portent bien. Il est satisfaisant de voir des chanteurs d\u2019une telle haute qualit\u00e9 participer \u00e0 des comp\u00e9titions et de les voir s'\u00e9tablir \u00e0 Toronto, au Canada et au-del\u00e0. Gr\u00e2ce \u00e0 la Fondation et le prix, nous aidons les chanteurs \u00e0 gagner en notori\u00e9t\u00e9, ce qui est utile dans un environnement hautement concurrentiel.<\/p>

\u00a0<\/p>

Quels sont les enjeux que rencontrent les jeunes chanteurs aujourd\u2019hui, particuli\u00e8rement en op\u00e9ra ?<\/em><\/p>

Pour les chanteurs de la voix, je pense que cela est difficile et ils ont plus de d\u00e9penses \u00e0 supporter que la plupart des autres artistes de la sc\u00e8ne. En plus des cours de chant et d\u2019encadrement, ils ont besoin d'acqu\u00e9rir des comp\u00e9tences de th\u00e9\u00e2tre, de danse et de sc\u00e8ne. Les auditions et les frais de d\u00e9placement doivent tous \u00eatre financ\u00e9s en quelque sorte, et pour les femmes \u2013 la garde-robe et les robes de soir\u00e9e sont co\u00fbteuses. Je crois qu\u2019un chanteur doit \u00eatre plus mobile pour obtenir des r\u00f4les \u2013 voyager pour des auditions ou pour une comp\u00e9tition. Comment peuvent-ils le faire et occuper un emploi \u00e0 temps plein, et financer leur carri\u00e8re ? Nous revenons encore au r\u00f4le crucial qu\u2019un prix peur jouer.<\/p>

\u00a0<\/p>

Quels conseils donneriez-vous \u00e0 une personne qui envisage un prix ou une bourse?<\/em><\/p>

Si c'est ce que vous voulez faire plus que toute autre chose dans le monde - et sentez que vous devez le faire - et si vous \u00eates pr\u00eat \u00e0 y mettre les efforts n\u00e9cessaires, je dis allez-y!<\/p>

Un jour, je parlais lors d'un \u00e9v\u00e9nement d\u2019une frustration particuli\u00e8re que je rencontrais, quand un homme se tourna vers moi et me dit: \u00ab Je travaille dans une usine, et d'\u00eatre impliqu\u00e9 dans la beaut\u00e9 artistique de quelque fa\u00e7on que ce soit est un r\u00eave que moi et la plupart d'entre nous ne connaitrons jamais. \u00bb Son commentaire m\u2019a rendu plus humble et a mis mes probl\u00e8mes en perspective. La r\u00e9compense pour un individu de cr\u00e9er un prix, c'est de voir un jeune artiste apporter quelque chose de sp\u00e9cial au monde - que ce soit par le biais d'un instrument, de la voix ou de tout talent artistique, et de savoir que vous avez aid\u00e9 \u00e0 atteindre cet objectif.<\/p>

Je connaissais un m\u00e9decin \u00e0 New York, qui jouait de la fl\u00fbte comme un passe-temps, avait un Steinway dans son salon, avait cr\u00e9\u00e9 des bourses de musique et logeait des \u00e9tudiants dans sa maison. J'\u00e9tais l\u00e0 quand il \u00e9tait l'h\u00f4te de m\u00e9decins dipl\u00f4m\u00e9s chez lui. Comme on pouvait s'y attendre, ils se sentaient plus d\u2019importance et un peu arrogants. Il leur a dit: \u00ab Vous allez sauver des vies dans votre travail, mais rappelez-vous, les artistes rendent la vie digne d'\u00eatre sauv\u00e9e. \u00bb Je n'ai jamais oubli\u00e9 cela.<\/p>

Pour plus d'informations \u00e0 propos de Louis Quilico et Christina Petrowska Quilico, suivez les liens ci-dessous :<\/p>

www.louisquilico.com<\/a><\/p>

www.indie-pool.com\/clientsites\/petrowskaquilico\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Christina and Louis Quilico Awards The Christina and Louis Quilico Awards were established by Christina Petrowska Quilico in 2000 to honour her late husband, renowned baritone Louis Quilico, and to recognize outstanding young singers, pianists and composers for voice. During his 45 years on the stage, Louis Quilico shared performing credits with Luciano Pavarotti, Placido […]<\/p>\n","protected":false},"author":1,"featured_media":4636,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[17],"tags":[],"class_list":["post-4635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview"],"acf":[],"yoast_head":"\nInterview with Christina Petrowska Quilico\u00a0 - Ontario Arts Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oafdn.ca\/fr\/interview-with-christina-petrowska-quilico\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview with Christina Petrowska Quilico\u00a0 - Ontario Arts Foundation\" \/>\n<meta property=\"og:description\" content=\"Christina and Louis Quilico Awards The Christina and Louis Quilico Awards were established by Christina Petrowska Quilico in 2000 to honour her late husband, renowned baritone Louis Quilico, and to recognize outstanding young singers, pianists and composers for voice. 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