{"id":46118,"date":"2018-09-18T01:48:00","date_gmt":"2018-09-18T01:48:00","guid":{"rendered":"https:\/\/oafdn.ca\/?p=46118"},"modified":"2022-03-22T01:52:23","modified_gmt":"2022-03-22T01:52:23","slug":"composer-steph-copeland-is-awarded-the-2018-christopher-dedrick-award-for-live-musicians-in-media-soundtracks","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/composer-steph-copeland-is-awarded-the-2018-christopher-dedrick-award-for-live-musicians-in-media-soundtracks\/","title":{"rendered":"Le prix Christopher Dedrick pour les musiciens dans les bandes sonores pour les medias 2018 est d\u00e9cern\u00e9 au compositeur Steph Copeland"},"content":{"rendered":"
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Toronto, le 18 septembre 2018 - La Guilde des compositeurs canadiens de musique \u00e0 l\u2019image<\/strong> et la Fondation des arts de l\u2019Ontario<\/strong> ont le plaisir d\u2019annoncer Steph Copeland<\/strong> comme laur\u00e9at du Prix Christopher Dedrick pour les musiciens dans les bandes sonores pour les medias<\/a>.<\/p>

\"Steph
Steph Copeland<\/figcaption><\/figure>

\u00a0<\/p>

Steph Copeland, chanteuse de formation classique, est une compositrice pour films (Antisocial 1 et 2, Let Her Out, Bed of The Dead, Ejecta, Bite) et publicit\u00e9s (Jeux panam\u00e9ricains et BOSE). Copeland compose aussi pour des artistes populaires et \u00e9lectro\/pop, ainsi que l'\u00e9criture et la production de sa propre musique, y compris son premier album \u00ab Public Panic \u00bb en 2015.<\/span><\/span><\/span><\/p>

L\u2019utilisation de musiciens dans les compositions de Copeland pour le film \u00e0 venir \u00ab I\u2019ll Take Your Dead \u00bb (2018 Black Fawn Films \/ Breakthrough Entertainment) a \u00e9t\u00e9 rendue possible gr\u00e2ce \u00e0 l\u2019aide du fonds Christopher Dedrick de musique.<\/span><\/span><\/span><\/p>

\u00ab En tant que compositrice de films canadiens ind\u00e9pendants, il est souvent difficile de travailler avec des musiciens en raison de contraintes budg\u00e9taires. Le fonds Christopher Dedrick de musique m'a permis de travailler avec la violoniste Brigit O'Regan, ce qui a \u00e9lev\u00e9 la partition au-del\u00e0 de mes attentes \u00bb, a d\u00e9clar\u00e9 Steph Copeland<\/strong>. \u00ab Gr\u00e2ce \u00e0 de telles r\u00e9compenses, les compositeurs et les musiciens ont la possibilit\u00e9 d'atteindre leurs objectifs artistiques et de respecter des normes de production plus \u00e9lev\u00e9es avec un budget ind\u00e9pendant. Merci beaucoup \u00e0 la Guilde des compositeurs canadiens de musique \u00e0 l\u2019image et \u00e0 la Fondation des arts de l'Ontario. \u00bb<\/p>

Le Prix Chirstopher Dedrick a \u00e9t\u00e9 \u00e9tabli en la m\u00e9moire de Christopher Dedrick<\/strong>, un compositeur de musique \u00e0 l\u2019image prim\u00e9 et ancien pr\u00e9sident de la Guilde, pour encourager et soutenir le recrutement et l'emploi des musiciens pour les bandes originales de media. Ce prix annuel d\u2019une valeur de 1 200 dollars<\/strong> est remis \u00e0 un membre professionnel de la Guilde en r\u00e8gle, et est adjug\u00e9 par un comit\u00e9 de s\u00e9lection compos\u00e9 de pairs de la Guilde. Le Prix est administr\u00e9 par la Guilde au nom de la Fondation des arts de l'Ontario.<\/p>


Pour plus d'information, veuillez contacter :<\/em><\/strong>\u00a0<\/span><\/p>

Tonya Dedrick
<\/span>Guilde des compositeurs canadiens de musique \u00e0 l\u2019image
Tel: (416) 410-5076
tkdedrick@screencomposers.ca<\/a><\/p>

Alan Walker,\u00a0<\/span>Directeur g\u00e9n\u00e9ral
Fondation des arts de l'Ontario
Tel: (416) 969-7413
awalker@oafdn.ca<\/a><\/p>

\u00a0<\/p>

La Fondation des Arts de l'Ontario<\/a> (FAO) travaille avec les m\u00e9c\u00e8nes pour \u00e9tablir un soutien durable pour les arts en Ontario. En 2017-2018, la FAO a vers\u00e9 plus de 3,35 millions de dollars en revenus de dotation et 260 000 dollars et prix et bourses.<\/p>

La Guilde des compositeurs canadiens de musique \u00e0 l\u2019image<\/a> (SCGC) est une association professionnelle accr\u00e9dit\u00e9e en vertu de la Loi f\u00e9d\u00e9rale canadienne sur le statut de l\u2019artiste, et repr\u00e9sente tous les compositeurs professionnels anglophones et les producteurs de musique pour le cin\u00e9ma, la t\u00e9l\u00e9vision, les jeux vid\u00e9o, les portables et tous les autres m\u00e9dias \u00e0 l'\u00e9cran. La SCGC promeut le statut et les droits des compositeurs \u00e0 l'\u00e9cran au travers du d\u00e9veloppement professionnel, du partage d\u2019information, du plaidoyer sur des questions telles que les droits des cr\u00e9ateurs et de la valeur de la musique \u00e0 l'\u00e9cran. La SCGC est membre des Alliances canadienne et nord am\u00e9ricaine des cr\u00e9ateurs de musique.<\/p>

A propos de Christopher Dedrick<\/em><\/strong>\n
\nChristopher Dedrick \u00e9tait un producteur de musique, un arrangeur, et un compositeur classique et de bandes sonores. Il a travaill\u00e9 avec les directeurs Guy Maddin et Don McKellar, remportant un Prix G\u00e9nie pour \u00ab The Saddest Music in the World \u00bb de Guy Maddin. En 1997, Dedrick a remport\u00e9 un prix Gemini pour son travail sur la s\u00e9rie t\u00e9l\u00e9visuelle \u00ab Road to Avonlea \u00bb. Chris a \u00e9t\u00e9 nomin\u00e9 pour un total de seize fois pour des prix Gemini, en gagnant un total de quatre, les autres pour \u00ab Million Dollar Babies \u00bb, \u00ab Shipwreck on the Skeleton Coast \u00bb and \u00ab The Great Canadian Polar Bear Adventure \u00bb.<\/p>

<\/a>
www.chrisdedrick.com<\/a><\/span><\/p>

\u00a0This document is also available in English.\u00a0<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Toronto, September 18, 2018 –\u00a0The Screen Composers Guild of Canada\u00a0(SCGC) and the\u00a0Ontario Arts Foundation\u00a0are delighted to announce\u00a0Steph Copeland\u00a0is the 2018 recipient of the\u00a0Christopher Dedrick Award for Live Musicians in Media Soundtracks.\u00a0\u00a0\u00a0 \u00a0 Steph Copeland, a classically trained vocalist, is a composer for feature films (Antisocial 1 and 2, Let Her Out, Bed of The Dead, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[18],"tags":[],"class_list":["post-46118","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"yoast_head":"\nComposer Steph Copeland is Awarded the 2018 Christopher Dedrick Award for Live Musicians in Media Soundtracks - 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