{"id":46095,"date":"2018-06-04T01:04:00","date_gmt":"2018-06-04T01:04:00","guid":{"rendered":"https:\/\/oafdn.ca\/?p=46095"},"modified":"2022-03-22T01:07:26","modified_gmt":"2022-03-22T01:07:26","slug":"inaugural-indigenous-voices-awards-winners-announced","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/inaugural-indigenous-voices-awards-winners-announced\/","title":{"rendered":"Annonce des laur\u00e9at(e)s des Prix des voix autochtones inauguraux"},"content":{"rendered":"
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Regina, le 30 mai 2018 - Les Prix des voix autochtones (PVA)<\/strong> sont ravis d'annoncer les laur\u00e9ats et laur\u00e9ates du concours de cette ann\u00e9e c\u00e9l\u00e9brant le meilleur de l'art litt\u00e9raire par les \u00e9crivains autochtones. Lors d'un gala \u00e0 Regina, en Saskatchewan (oskana k\u00e2-asast\u00eaki, Territoire du Trait\u00e9 n\u00b0 4) le 29 mai, les PVA ont remis 26 000 dollars de prix sur plusieurs cat\u00e9gories pour des ouvrages publi\u00e9s et in\u00e9dits en anglais, en fran\u00e7ais et en langues autochtones. Les prix ont \u00e9t\u00e9 d\u00e9cern\u00e9s par un jury d'\u00e9crivains autochtones renomm\u00e9s et de personnalit\u00e9s du monde litt\u00e9raire canadien, dont Kateri Akiwenzie-Damm<\/strong><\/span>,\u00a0Virginia P\u00e9s\u00e9map\u00e9o Bordeleau<\/strong><\/span>,\u00a0Shelagh Rogers<\/strong><\/span>,\u00a0Rodney Saint-\u00c9loi<\/strong><\/span>,\u00a0Gregory Scofield<\/strong><\/span>,\u00a0Jean Sioui<\/strong><\/span>, et\u00a0Richard Van Camp<\/strong><\/span><\/p>\n


<\/span><\/span><\/span>Laur\u00e9at(e)s et finalistes :<\/strong><\/span><\/span><\/span><\/p>\n

\u0152uvre en prose en anglais la plus significative par un(e) auteur(e) autochtone \u00e9mergent(e)<\/strong><\/span>
<\/span><\/span>Aviaq Johnston<\/strong><\/span>, \u00abThose Who Run in the Sky\u00bb (publi\u00e9 par Inhabit Mediia\u00a0http:\/\/inhabitmedia.com<\/a>)

Finalistes:<\/span>
Carleigh Baker<\/strong><\/span>, \u00abBad Endings\u00bb (publi\u00e9 par Anvil Press\u00a0http:\/\/www.anvilpress.com<\/a>)
Dawn Dumont<\/strong><\/span>, \u00abGlass Beads\u00bb (publi\u00e9 par Thistledown Press\u00a0https:\/\/www.thistledownpress.com<\/a>)
Joanne Robertson<\/strong><\/span>, \u00abThe Water Walker\u00bb (publi\u00e9 par Second Story Press\u00a0https:\/\/secondstorypress.ca<\/a>\u00a0)<\/span><\/span><\/p>\n

\u0152uvre en prose en fran\u00e7ais la plus significative par un(e) auteur(e) autochtone \u00e9mergent(e)<\/strong><\/span>
J. D. Kurtness<\/strong><\/span>, \u00abDe Vengeance\u00bb (publi\u00e9 par L\u2019Instant Meme\u00a0http:\/\/www.instantmeme.com\/ebi-addins\/im\/Actualite.aspx<\/a>)<\/span><\/span><\/p>\n

Finalistes:
Naomie Fontaine<\/strong><\/span>, \u00abManikanetish\u00bb (publi\u00e9 par Memoire d\u2019Encrier\u00a0http:\/\/memoiredencrier.com<\/a>)

<\/span><\/span><\/p>\n

\u0152uvre en format alternatif la plus significative par un(e) auteur(e) autochtone \u00e9mergent(e)<\/strong><\/span>
Laur\u00e9at(e)s:\u00a0Mich Cota<\/strong><\/span>, \u00abMusical Selections\u00bb, et\u00a0Mika Lafond<\/strong><\/span>, \u00abNip\u00ea W\u00e2n\u00een\u00bb (publi\u00e9 par Thistledown Press\u00a0https:\/\/www.thistledownpress.com<\/a>)<\/span><\/span><\/p>\n

Finalistes:
Keith Barker<\/strong><\/span>, \u00abThis is How We Got Here\u00bb (publ\u00e9 par Playwrights Canada Press\u00a0https:\/\/www.playwrightscanada.com<\/a>)
Cliff Cardinal<\/strong><\/span>, \u00abHuff & Stitch\u00bb (publi\u00e9 par Playwrights Canada Press\u00a0https:\/\/www.playwrightscanada.com<\/a>)<\/span><\/span><\/p>\n


\u0152uvre po\u00e9tique en anglais la plus significative par un(e) auteur(e) autochtone \u00e9mergent(e)<\/strong><\/span>
Billy-Ray Belcourt<\/strong><\/span>, \u00abThis Wound is a World\u00bb (publi\u00e9 par Frontenac House\u00a0https:\/\/www.frontenachouse.com<\/a>)<\/span><\/span><\/p>\n

Finalistes:
Tenille K. Campbell<\/strong><\/span>, \u00ab#IndianLovePoems\u00bb (publi\u00e9 par Signature Editions\u00a0http:\/\/www.signature-editions.com<\/a>)
Joshua Whitehead<\/strong><\/span>, \u00abFull-Metal Indigiqueer\u00bb (publi\u00e9 par Talon Books\u00a0http:\/\/talonbooks.com<\/a><\/span><\/span>)
<\/span><\/span>
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\u0152uvres po\u00e9tiques non publi\u00e9es en anglais par un(e) auteur(e) autochtone \u00e9mergent(e)<\/strong><\/span>
Smokii Sumac<\/strong>\u00a0<\/span>\u00ab#haikuaday and other poems\u00bb<\/span><\/span><\/p>\n

Finalistes:
David Agecoutay<\/strong>\u00a0<\/span>\u00abPoetic Selections\u00bb
Brandi Bird<\/strong>\u00a0<\/span>\u00abTwo Poems\u00bb
Francine Merasty<\/strong>\u00a0<\/span>\u00abPoetry of a Northern Rez Girl\u00bb<\/span><\/span><\/p>\n


\u0152uvre po\u00e9tique non publi\u00e9e en fran\u00e7ais par un(e) auteur(e) autochtone \u00e9mergent(e)<\/strong><\/span>
Marie-Andr\u00e9e Gill<\/strong>\u00a0<\/span>\u00abUashteu\u00bb<\/span><\/span><\/p>\n


\u0152uvre en prose non-publi\u00e9e par un(e) auteur(e) autochtone \u00e9mergent(e)<\/strong>\u00a0<\/span>
Elaine McArthur<\/strong>\u00a0<\/span>\u00abQueen Bee\u00bb<\/span><\/span><\/p>\n

Finalistes:
Treena Chambers<\/strong>\u00a0<\/span>\u00abHair Raizing\u00bb
Nazbah Tom<\/strong><\/span>\u00a0\u00abThe Hand Trembler\u00bb
Amanda Peters<\/strong><\/span>\u00a0\u00abPejipug (Winter Arrives)\u00bb<\/span><\/span><\/p>\n


Les PVA ont \u00e9t\u00e9 \u00e9tablis en 2017 pour cultiver et soutenir l'art litt\u00e9raire autochtone dans sa diversit\u00e9 et sa complexit\u00e9. Commenc\u00e9s comme une campagne financ\u00e9e par la foule et cherchant \u00e0 amasser quelques milliers de dollars pour soutenir les \u00e9crivains autochtones \u00e9mergents, les PVA ont recueilli plus de 125 000 $ \u00e0 ce jour aupr\u00e8s de plus de 1 500 donneurs diff\u00e9rents.<\/span><\/span><\/p>\n

Le Fonds des Prix des voix autochtones a \u00e9t\u00e9 cr\u00e9\u00e9 \u00e0 la Fondation des arts de l'Ontario pour financer les prix. Pour faire un don, veuillez visiter le site Web de la Fondation des arts de l'Ontario.<\/span><\/span><\/p>\n

-30-
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<\/span>RENSEIGNEMENTS SUR LA FONDATION DES ARTS DE L'ONTARIO<\/strong>
Alan Walker, Directeur g\u00e9n\u00e9ral,
Fondation des arts de l'Ontario
416-969-7413 |\u00a0awalker@arts.on.ca<\/a>

<\/span><\/span><\/p>\n

\u00c9tablie en 1991, la Fondation des arts de l\u2019Ontario<\/a> est passionn\u00e9ment engag\u00e9e \u00e0 construire un soutien \u00e0 long terme pour les arts en Ontario. En 2016-2017, la FAO a vers\u00e9 plus de 3,2 millions de dollars en revenus de dotation et 375 000 dollars en prix et bourses.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Regina, May 30, 2018 – The Indigenous Voices Awards (IVAs) are thrilled to announce the winners in this year\u2019s competition celebrating the very best in literary art by Indigenous writers. At a gala event in Regina, Saskatchewan (oskana k\u00e2-asast\u00eaki, Treaty 4 Territory) on May 29th, the IVAs awarded $26,000 in prizes across multiple categories for published and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[18],"tags":[],"class_list":["post-46095","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"_links":{"self":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/posts\/46095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/comments?post=46095"}],"version-history":[{"count":0,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/posts\/46095\/revisions"}],"wp:attachment":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/media?parent=46095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/categories?post=46095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/tags?post=46095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}