{"id":4607,"date":"2022-02-12T06:12:34","date_gmt":"2022-02-12T06:12:34","guid":{"rendered":"https:\/\/oafdn.ca\/?p=4607"},"modified":"2022-12-01T19:52:53","modified_gmt":"2022-12-01T19:52:53","slug":"interview-with-kelly-straughan-executive-director","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/interview-with-kelly-straughan-executive-director\/","title":{"rendered":"Entretien avec \nKelly Straughan, Directrice g\u00e9n\u00e9rale"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"4607\" class=\"elementor elementor-4607\" wpc-filter-elementor-widget=\"1\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6d9fe84 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6d9fe84\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5ebaf23\" data-id=\"5ebaf23\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-61be02a elementor-widget elementor-widget-text-editor\" data-id=\"61be02a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><img decoding=\"async\" class=\"size-full wp-image-4608 alignleft\" src=\"https:\/\/oafdn.ca\/wp-content\/uploads\/2022\/02\/Kelly-Crop-for-web3.jpg\" alt=\"Picture of Kelly Crop\" width=\"132\" height=\"128\" srcset=\"https:\/\/oafdn.ca\/wp-content\/uploads\/2022\/02\/Kelly-Crop-for-web3.jpg 132w, https:\/\/oafdn.ca\/wp-content\/uploads\/2022\/02\/Kelly-Crop-for-web3-12x12.jpg 12w\" sizes=\"(max-width: 132px) 100vw, 132px\" \/><strong>Le Toronto Fringe<\/strong><\/p><p style=\"font-weight: 400;\" class=\"translation-block\"><em><a href=\"http:\/\/fringetoronto.com\/\" target=\"_self\">Le Toronto Fringe<\/a>\u00a0offre des possibilit\u00e9s cr\u00e9atives pour les artistes et le public en produisant deux importants festivals \u2013 Le Toronto Fringe Festival et le Festival de Th\u00e9\u00e2tre Next Stage - et en organisant des activit\u00e9s de sensibilisation au profit des jeunes, des artistes et de la communaut\u00e9 th\u00e9\u00e2trale dans son ensemble. Le Fringe Creation Lab au Centre for Social Innovation Annex, accueille des artistes ind\u00e9pendants toute l\u2019ann\u00e9e, encourageant leur cr\u00e9ativit\u00e9 en leur offrant un espace abordable pour faire de l'art, se rassembler et innover.<\/em><\/p><p style=\"font-weight: 400;\"><em>Le Fringe Festival, l'\u00e9v\u00e9nement phare de Fringe, est le plus grand festival de th\u00e9\u00e2tre et de performance de Toronto. Plus de 155 productions sont pr\u00e9sent\u00e9es dans plus de 25 sites \u00e0 travers la partie ouest de Toronto, attirant plus de 90 000 personnes pendant 12 jours chaque ann\u00e9e.<\/em><\/p><p style=\"font-weight: 400;\" class=\"translation-block\">Le Toronto Fringe a particip\u00e9 d\u00e8s le d\u00e9but du programme du <strong>Fonds de dotation pour les arts<\/strong>, un programme du gouvernement de l'Ontario au travers du minist\u00e8re du Tourisme, de la Culture et du Sport et administr\u00e9 par la Fondation des arts de l'Ontario. Selon les termes du programme, les fonds recueillis par les organismes artistiques admissibles \u00e0 titre de dotations du secteur priv\u00e9 ont \u00e9t\u00e9 <strong>doubl\u00e9s par des fonds de contrepartie, dollar pour dollar<\/strong>, jusqu'\u00e0 un maximum pr\u00e9d\u00e9termin\u00e9. Chaque ann\u00e9e, les organismes re\u00e7oivent un revenu de leur fonds de dotation \u00e0 utiliser pour leur fonctionnement courant.<\/p><p style=\"font-weight: 400;\" class=\"translation-block\">Le Toronto Fringe a collect\u00e9 <strong>140 000 dollars<\/strong> pour son Fonds de dotation au cours des dix ans de la phase initiale du programme de fonds de contrepartie qui a dur\u00e9 de 1998 \u00e0 2008. En 2012, la situation financi\u00e8re du Toronto Fringe \u00e9tait telle que le conseil d'administration a d\u00e9cid\u00e9 d'ajouter un montant suppl\u00e9mentaire de <strong>40 000 dollars<\/strong> au Fonds de dotation venant des fonds de r\u00e9serve. Avec les fonds de contrepartie suppl\u00e9mentaires fournis par le minist\u00e8re du Patrimoine canadien (<a href=\"http:\/\/pch.gc.ca\/eng\/1268614803109\" target=\"_self\">volet Incitatifs aux fonds de dotation du Fonds du Canada pour l\u2019investissement en culture<\/a>), le Fringe a \u00e9t\u00e9 en mesure de recevoir un montant additionnel de <strong>38 000 dollars<\/strong> en fonds de contrepartie pour leur fonds de dotation.<\/p><p style=\"font-weight: 400;\"><em>La valeur au cours du march\u00e9 actuelle du fonds de dotation Fringe de Toronto \u00e0 la Fondation des arts de l'Ontario est 256 000 dollars, et le Fringe a re\u00e7u un total de 84 000 $ en revenus de son Fonds de dotation depuis sa cr\u00e9ation. Nous avons r\u00e9cemment parl\u00e9 avec Kelly Straughan, directrice g\u00e9n\u00e9rale du Toronto Fringe.\u00a0<\/em><\/p><p style=\"font-weight: 400;\"><em>\u00a0<\/em><\/p><p style=\"font-weight: 400;\"><em>Kelly, comment le Fringe utilise-t-il le revenu que vous recevez du Fonds de dotation des arts?<\/em><\/p><p style=\"font-weight: 400;\">Contrairement \u00e0 une subvention, o\u00f9 les fonds sont re\u00e7us et ensuite directement d\u00e9pens\u00e9s, le revenu du fonds de dotation arrive, et nous sommes libres de l\u2019allouer de fa\u00e7on r\u00e9fl\u00e9chie pour le meilleur usage. Nous appr\u00e9cions donc qu'il soit sans restriction : une ann\u00e9e, il peut \u00eatre utilis\u00e9 pour un soutien marketing, ou une autre \u00eatre appliqu\u00e9 pour aider \u00e0 financer le Club du Fringe Kid. Nous d\u00e9cidons o\u00f9 il r\u00e9pond le mieux aux besoins du festival et de nos programmes. Une fonctionnalit\u00e9 int\u00e9ressante est que, contrairement aux subventions, nous ne sommes pas tenus d'investir un temps rare pour d\u00e9velopper et remplir une demande de subvention et il n'y a aucune exigence de rapport annuel.<\/p><p style=\"font-weight: 400;\">\u00a0<\/p><p style=\"font-weight: 400;\"><em>2014 a \u00e9t\u00e9 une ann\u00e9e tr\u00e8s bonne pour le Fringe, en plus de recettes de billetterie, vous avez \u00e9galement re\u00e7u 36 000 $ en dons. Quels facteurs ont contribu\u00e9 \u00e0 ce succ\u00e8s ?<\/em><\/p><p style=\"font-weight: 400;\">Quand j'ai regard\u00e9 l'organisation en tant que nouvelle directrice g\u00e9n\u00e9rale, j'ai r\u00e9alis\u00e9 que nous avions besoin de diriger plus d'efforts sur nos relations avec nos supporters de longue date. Nous avons d\u00e9cid\u00e9 de mettre l'accent sur l'intendance intentionnelle et cr\u00e9\u00e9 de nouveaux r\u00f4les du personnel pour se concentrer sur les donateurs et leur gestion. Je crois que l'un des r\u00e9sultats est venu sous la forme des 36 000 dollars de dons du \u00ab Tip of the Fringe Donations \u00bb. Nous avons \u00e9galement commenc\u00e9 \u00e0 organiser des \u00e9v\u00e9nements pour reconna\u00eetre et communiquer avec nos principaux soutiens individuels.<\/p><p style=\"font-weight: 400;\">\u00a0<\/p><p style=\"font-weight: 400;\"><em>Comment le fonds de dotation a-t-il aid\u00e9 le Toronto Fringe Festival?<\/em><\/p><p style=\"font-weight: 400;\">Il a fourni \u00e0 notre organisation et au conseil d\u2019administration une fa\u00e7on de penser \u00e0 l'exc\u00e9dent accumul\u00e9. Nous avions \u00e9t\u00e9 prudents dans la gestion de nos finances, et en l'absence de plans imm\u00e9diats, nous avons d\u00e9cid\u00e9 d'allouer une partie de l'exc\u00e9dent au fonds de dotation. Nous aimons le revenu constant que nous recevons chaque ann\u00e9e, nous aimons le fait qu'il soit libre et nous sommes reconnaissants que le capital soit investi en toute s\u00e9curit\u00e9 par la Fondation des arts de l'Ontario.<\/p><p style=\"font-weight: 400;\">\u00a0<\/p><p style=\"font-weight: 400;\"><em>Comment cela s\u2019aligne-t-il avec les donn\u00e9es d\u00e9mographiques de votre public ?<\/em><\/p><p style=\"font-weight: 400;\">Fringe est encore \u2018jeune\u2019 et en croissance : la majorit\u00e9 de nos participants travaillent et vivent dans le centre-ville et la partie centrale de Toronto. Nos jeunes supporteurs viennent aux performances puis restent pour les activit\u00e9s \u00ab post-performance \u00bb et participent au Fringe Club qui soutient les fournisseurs locaux ainsi que l'organisation du festival. Nous avons un segment \u2018ag\u00e9 de plus de 50 ans,\u2019 dont l'exp\u00e9rience du Festival comprend maintenant un \u2018acc\u00e8s privil\u00e9gi\u00e9\u2019 aux producteurs, et des s\u00e9ances de questions-r\u00e9ponses. Nous sentons que nous aidons notre public \u00e0 sentir qu'ils \u00ab poss\u00e8dent \u00bb et sont \u00ab investis \u00bb dans le succ\u00e8s des festivals.<\/p><p style=\"font-weight: 400;\">\u00a0<\/p><p style=\"font-weight: 400;\"><em>Qu\u2019est ce qui attend le Fringe maintenant ?<\/em><\/p><p style=\"font-weight: 400;\">Comme la plupart des organismes artistiques, nous commen\u00e7ons \u00e0 z\u00e9ro chaque ann\u00e9e : collecte de fonds, vente de billets et commandites pour financer le budget de fonctionnement d'environ 1,4 million de dollars. Nous essayons de d\u00e9montrer l'impact du Fringe aux entreprises locales ; nous sommes vraiment encore un festival local. Nous essayons d'attirer les ontariens et gardons un \u0153il ouvert sur les moyens de faire participer l'ensemble de nos donateurs. Les plans commencent pour le prochain \u00ab Next Stage Theatre Festival \u00bb en Janvier et les applications de loterie pour le Fringe 2015. Les artistes cette ann\u00e9e \u00e9taient heureux de voir leurs spectacles mieux vendus que jamais et de nombreux spectacles affichaient \u2018complet.\u2019<\/p><p style=\"font-weight: 400;\">\u00a0<\/p><p style=\"font-weight: 400;\">Pour plus d\u2019information:<\/p><ul style=\"font-weight: 400;\"><li><a href=\"http:\/\/fringetoronto.com\/fringe-festival\/\">Toronto Fringe Festival<\/a><\/li><li><a href=\"http:\/\/fringetoronto.com\/next-stage-festival\/\">Next Stage Festival<\/a><\/li><li><a href=\"http:\/\/fringetoronto.com\/c-lab\/\">Creation Lab<\/a><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>The Toronto Fringe The Toronto Fringe&nbsp;provides creative opportunities for artists and audiences by producing two important festivals \u2013 the Toronto Fringe Festival and the Next Stage Theatre Festival \u2013 and by running outreach activities that benefit youth, artists and the theatre community at large. The Fringe Creation Lab at the Centre for Social Innovation Annex, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4608,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[17],"tags":[],"class_list":["post-4607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview with\u00a0Kelly Straughan, Executive Director - Ontario Arts Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oafdn.ca\/fr\/interview-with-kelly-straughan-executive-director\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview with\u00a0Kelly Straughan, Executive Director - Ontario Arts Foundation\" \/>\n<meta property=\"og:description\" content=\"The Toronto Fringe The Toronto Fringe&nbsp;provides creative opportunities for artists and audiences by producing two important festivals \u2013 the Toronto Fringe Festival and the Next Stage Theatre Festival \u2013 and by running outreach activities that benefit youth, artists and the theatre community at large. 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