{"id":147275,"date":"2026-11-12T10:53:09","date_gmt":"2026-11-12T15:53:09","guid":{"rendered":"https:\/\/oafdn.ca\/?p=147275"},"modified":"2026-11-12T11:00:08","modified_gmt":"2026-11-12T16:00:08","slug":"diego-de-la-rosa-awarded-the-laura-ciruls-painting-award","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/diego-de-la-rosa-awarded-the-laura-ciruls-painting-award\/","title":{"rendered":"Diego de la Rosa re\u00e7oit le Prix Laura Ciruls en peinture"},"content":{"rendered":"
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Toronto, le 12 novembre 2026 \u2013 L\u2019artiste v\u00e9n\u00e9zu\u00e9lien r\u00e9sidant \u00e0 Toronto Diego de la Rosa<\/strong> est le laur\u00e9at du Prix Laura Ciruls<\/a>. Dans sa quinzi\u00e8me ann\u00e9e, le prix d\u2019une valeur de 10 000 dollars est octroy\u00e9 chaque ann\u00e9e \u00e0 une ou un artiste peintre en milieu de carri\u00e8re r\u00e9sidant en Ontario.<\/p>

A propos de Diego de la Rosa<\/strong>
\"\"Diego de la Rosa<\/a> est un artiste plasticien n\u00e9 au Venezuela et qui vit et travaille actuellement \u00e0 Toronto. Il a obtenu une licence en beaux-arts (sp\u00e9cialisation dessin et peinture) de l\u2019universit\u00e9 OCAD en 2015. Ses \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans des expositions, foires de l\u2019art et ventes aux ench\u00e8res au Canada, aux Etats-Unis et en Am\u00e9rique du Sud. Elles ont aussi \u00e9t\u00e9 inclus dans des publications internationales telles que \u00ab Colossal \u00bb et \u00ab Terremoto \u00bb. Son \u0153uvre, ax\u00e9e sur l\u2019exp\u00e9rience v\u00e9n\u00e9zu\u00e9lienne, a b\u00e9n\u00e9fici\u00e9 du soutien financier du Conseil des arts du Canada et du Conseil des arts de l\u2019Ontario ; il a par ailleurs \u00e9t\u00e9 nomm\u00e9 pour le prix Kingston (Kingston Prize) et a pris part au programme artistique CIBC 2.<\/p>

Les peintures de De la Rosa explorent l\u2019impact psychologique et culturel des r\u00e9alit\u00e9s socio-politiques de son pays de naissance au travers de narrations qui m\u00ealent fantaisie et r\u00e9alisme pour examiner les id\u00e9es et les sentiments fa\u00e7onn\u00e9s par ses circonstances.<\/p>

Sa d\u00e9marche consiste \u00e0 recueillir des images existantes, repr\u00e9sentant des personnes et des lieux au Venezuela, pour les r\u00e9agencer au sein de r\u00e9cits peints, impr\u00e9gn\u00e9s d\u2019\u00e9l\u00e9ments imaginaires tels que des animaux anthropomorphes, des environnements surr\u00e9alistes, une atmosph\u00e8re th\u00e9\u00e2trale et des personnages venus d\u2019un autre monde. Les images sources figurent la r\u00e9alit\u00e9 per\u00e7ue, tandis que les interventions picturales incarnent les valeurs et les id\u00e9es mobilis\u00e9es pour proposer une interpr\u00e9tation de ces situations.<\/p>

Au travers de son \u0153uvre, De la Rosa cr\u00e9e une imagerie qui universalise les enjeux d\u2019identit\u00e9, de r\u00e9sistance et de luttes sociales, \u00e9vocatrice d\u2019une certaine empathie dans des soci\u00e9t\u00e9s distante de la sienne.<\/p>

\"\"
Bravo (or The Arrival), 120 \u00d7 170 cm, Huiles et acryliques sur toile, 2025<\/figcaption><\/figure>

Le prix Laura Ciruls en peinture<\/strong>\n

\nLe Prix Laura Ciruls en peinture a \u00e9t\u00e9 \u00e9tabli par Laura Ciruls, graphiste et conceptrice de site internet professionnelle, et aussi une peintre en acrylique et aquarelliste traditionnelle. Gr\u00e2ce \u00e0 un legs, Laura a cr\u00e9\u00e9 le Prix Laura Ciruls en peinture afin de reconna\u00eetre des artistes qui, comme elle, contribuent au d\u00e9veloppement de la peinture en Ontario.<\/p>

La Fondation des arts de l'Ontario g\u00e8re le fonds de dotation qui finance le prix. Le Conseil des arts de l'Ontario est responsable du processus de s\u00e9lection. Le laur\u00e9at, ou la laur\u00e9ate, est s\u00e9lectionn\u00e9 dans le cadre du processus d\u2019\u00e9valuation par les pairs du Conseil des arts de l\u2019Ontario parmi les candidats \u00e0 l\u2019une des deux dates limites du programme annuel Artistes visuels \u2013 projets de cr\u00e9ation du Conseil des arts de l\u2019Ontario (cat\u00e9gorie artistes en milieu de carri\u00e8re).<\/p>

Les laur\u00e9ats pr\u00e9c\u00e9dents incluent Ibrahim Abusitta<\/strong> (2025), H\u00e9ritier Bilaka<\/strong> (2024), et Emmanuel Osahor<\/strong> (2023). Voir la liste compl\u00e8te des laur\u00e9ats et laur\u00e9ates pr\u00e9c\u00e9dents<\/a>.<\/p>

###<\/p>

Pour plus d'information, veuillez contacter :<\/strong>
Bruce Bennett, directeur g\u00e9n\u00e9ral
Fondation des arts de l'Ontario
Tel: (416) 969-7413 bbennett@oafdn.ca<\/a><\/p>

La Fondation des arts de l\u2019Ontario (FAO) est passionn\u00e9ment engag\u00e9e \u00e0 renforcer le soutien \u00e0 long terme pour les arts en Ontario. En 2025-2026, la FAO a vers\u00e9 plus de $5,7 millions de dollars en revenus de dotation et 630 000 dollars en prix et bourses.<\/p>

Cela fait plus de 60 ans que le Conseil des arts de l\u2019Ontario (CAO) joue un r\u00f4le de premier plan dans la promotion et l'aide en mati\u00e8re de d\u00e9veloppement des arts au profit de tous les Ontariens. En 2024-2025, le CAO a investi son budget de subventions de 52,2 millions de dollars dans 204 collectivit\u00e9s situ\u00e9es dans toutes les circonscriptions de l\u2019Ontario, accordant 1 960 subventions \u00e0 des artistes et 1 030 subventions \u00e0 des organismes.<\/p>

This document is also available in English.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Toronto, November 12, 2026 \u2013 Toronto-based Venezuelan artist Diego de la Rosa is this year\u2019s recipient of the Laura Ciruls Painting Award. In now its 15th year, this $10,000 award is given annually to recognize an Ontario based mid-career painter. About Diego de la RosaDiego de la Rosa is a fine artist born in Venezuela, […]<\/p>\n","protected":false},"author":316,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"nfd_image_url":"","nfd_onboarding_generated":"","footnotes":""},"categories":[18],"tags":[],"class_list":["post-147275","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"_links":{"self":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/posts\/147275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/users\/316"}],"replies":[{"embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/comments?post=147275"}],"version-history":[{"count":19,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/posts\/147275\/revisions"}],"predecessor-version":[{"id":147296,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/posts\/147275\/revisions\/147296"}],"wp:attachment":[{"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/media?parent=147275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/categories?post=147275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oafdn.ca\/fr\/wp-json\/wp\/v2\/tags?post=147275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}