{"id":141791,"date":"2025-12-09T10:06:44","date_gmt":"2025-12-09T15:06:44","guid":{"rendered":"https:\/\/oafdn.ca\/?p=141791"},"modified":"2025-12-09T10:48:52","modified_gmt":"2025-12-09T15:48:52","slug":"2025-elizabeth-l-gordon-art-program-grants-announced","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/2025-elizabeth-l-gordon-art-program-grants-announced\/","title":{"rendered":"Annonce des subventions pour les Programmes d\u2019art Elizabeth L. Gordon pour 2025"},"content":{"rendered":"
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Toronto, le 9 d\u00e9cembre 2025 - La Fondation des arts de l'Ontario<\/strong>et La Fondation Gordon<\/strong> sont heureuses d\u2019annoncer les subventions du Programme d'art Elizabeth L. Gordon<\/a>:<\/p>

Subventions d'acquisition<\/strong>
Canadian Clay & Glass Gallery 10 000 $
Carleton University Art Gallery 17 500 $
Doris McCarthy Gallery 20 000 $
Ottawa Art Gallery 12 000 $
Robert McLaughlin Gallery 20 000 $
Woodstock Art Gallery 17 766 $<\/p>

Subventions de d\u00e9veloppement<\/strong>
Textile Museum of Canada 9 734 $<\/p>

\u00ab Nous continuons d'\u00eatre impressionn\u00e9s par la profondeur et le m\u00e9rite des demandes de subventions d'acquisition et de d\u00e9veloppement \u00bb, d\u00e9clare Bruce Bennett<\/strong>, Executive Director of the Ontario Arts Foundation. \u201cWe are grateful to The Gordon Foundation for their ongoing support and commitment to helping galleries build their permanent collections and engage with their communities.\u201d<\/p>

Cette ann\u00e9e, le programme a financ\u00e9 $97,266<\/strong> en subventions d'acquisition et $9,734<\/strong> en subventions de d\u00e9veloppement. Depuis le renouvellement du programme d\u2019art Elizabeth L. Gordon en 2014 un total de $755,360<\/strong> de subventions a \u00e9t\u00e9 distribu\u00e9 \u00e0 des galeries publiques et des mus\u00e9es au travers de l'Ontario.<\/p>

Les subventions d'acquisition aident les galeries et les mus\u00e9es \u00e0 acqu\u00e9rir des \u0153uvres d'art canadiennes pour leur collection permanente. Les subventions de d\u00e9veloppement soutiennent les initiatives qui augmentent la connaissance du public sur le fait de collectionner ou \u00e0 propos de la collection permanente d\u2019une galerie ou d\u2019un mus\u00e9e, et qui aident \u00e0 rendre la collection permanente d\u2019une galerie ou d\u2019un mus\u00e9e plus accessible au public.<\/p>

Les d\u00e9cisions de subventions ont \u00e9t\u00e9 prises par un jury du Conseil des arts de l\u2019Ontario compos\u00e9 de professionnels du secteur artistique ayant une connaissance et une exp\u00e9rience significative des activit\u00e9s des galeries d\u2019art en Ontario. Le jury de cette ann\u00e9e \u00e9tait compos\u00e9 de Sebastian De Line<\/strong> (Kingston), Karie Liao<\/strong> (Toronto), et Cora-Rae Silk<\/strong> (Sudbury).<\/p>

Le Programme d\u2019art Elizabeth L. Gordon vise \u00e0 encourager une plus large appr\u00e9ciation des arts visuels et des artistes canadiens et canadiennes en soutenant les galeries d'art publiques et les mus\u00e9es de l'Ontario \u00e0 d\u00e9velopper leurs collections permanentes, et \u00e0 soutenir l'engagement communautaire entre une galerie ou un mus\u00e9e et la communaut\u00e9 locale.<\/p>

\"\"
Caroline Monnet, Sweetgrass. Broderie sur sous-toiture, 46 1\/2 x 69 1\/2 pouces, acquis par la Doris McCarthy Gallery, Universit\u00e9 de Toronto Scarborough.<\/figcaption><\/figure>


###<\/p>


Pour plus d'information, veuillez contacter :<\/strong>
Bruce Bennett, directeur g\u00e9n\u00e9ral
416-969-7413 | bbennett@oafdn.ca<\/a><\/p>


\u00c9tablie en 1991, la Fondation des arts de l'Ontario<\/a> (FAO) est passionn\u00e9ment engag\u00e9e \u00e0 renforcer le soutien \u00e0 long terme pour les arts en Ontario. En 2024-2025, la FAO a vers\u00e9 4,8 millions de dollars en revenus de dotation et 540 000 dollars en prix et bourses.<\/p>

La Fondation Gordon<\/a> poss\u00e8de une longue tradition de protection des eaux du Canada et de travail dans le Nord canadien. La Fondation cherche des opportunit\u00e9s pour amplifier les voix des populations sous-repr\u00e9sent\u00e9es, mettre en avant les questions \u00e9mergentes et collaborer avec des organisations partageant les m\u00eames id\u00e9es pour obtenir des r\u00e9sultats probants et durables.<\/p>

\u00c0 propos de Elizabeth L. Gordon<\/strong>
Elizabeth L. Gordon<\/a>l'une des fondatrices de la fondation Gordon, a toujours \u00e9t\u00e9 passionn\u00e9e d'art, d'histoire et de culture. Ses passions et ses int\u00e9r\u00eats, en plus de ses amis et de sa famille, portaient sur l'art, les mus\u00e9es, la pr\u00e9sentation et le partage public d'\u0153uvres d'art, ainsi que la valeur publique d'une bonne conception. Sa contribution \u00e0 La Gordon Foundation consistait \u00e0 insister sur des subventions pour les arts. Pendant de nombreuses ann\u00e9es, elle a fait r\u00e9guli\u00e8rement du b\u00e9n\u00e9volat aupr\u00e8s de l'Art Gallery of Toronto (maintenant le Mus\u00e9e des beaux-arts de l'Ontario), cherchant \u00e0 stimuler l'adh\u00e9sion de ses membres. Par l'interm\u00e9diaire de La Gordon Foundation, Elizabeth Gordon a encourag\u00e9 les galeries d'art et mus\u00e9es \u00e9mergents de tout l'Ontario en leur accordant des subventions leur permettant d'acheter des \u0153uvres d'art originales. Pour l\u2019honorer, la Fondation a cr\u00e9\u00e9 le programme artistique Elizabeth L. Gordon, un souvenir inoubliable du patronage et de l\u2019appr\u00e9ciation de Mme Gordon pour l\u2019art canadien.<\/p>


This document is also available in English.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Toronto, December 9, 2025 – The Ontario Arts Foundation and The Gordon Foundation are pleased to announce the 2025 grant recipients from the Elizabeth L. Gordon Art Program: Acquisition GrantsCanadian Clay & Glass Gallery $10,000Carleton University Art Gallery $17,500Doris McCarthy Gallery $20,000Ottawa Art Gallery $12,000Robert McLaughlin Gallery $20,000Woodstock Art Gallery $17,766 Development Grant Textile Museum […]<\/p>\n","protected":false},"author":316,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[18],"tags":[],"class_list":["post-141791","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"yoast_head":"\n2025 Elizabeth L. 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