{"id":137131,"date":"2025-03-07T15:07:37","date_gmt":"2025-03-07T20:07:37","guid":{"rendered":"https:\/\/oafdn.ca\/?p=137131"},"modified":"2025-03-10T10:56:20","modified_gmt":"2025-03-10T14:56:20","slug":"keshia-palm-awarded-2025-gina-wilkinson-prize","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/keshia-palm-awarded-2025-gina-wilkinson-prize\/","title":{"rendered":"Keshia Palm Recoit Le Prix Gina Wilkinson 2025"},"content":{"rendered":"
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Toronto \u2013 le 10 mars 2025 \u2013 Le Comit\u00e9 du prix Gina Wilkinson a le plaisir d'annoncer que Keshia Palm<\/strong> est la laur\u00e9ate du quatorzi\u00e8me prix Gina Wilkinson<\/a>. Le prix reconnait les artistes de th\u00e9\u00e2tre de genres sous-repr\u00e9sent\u00e9s, notamment les femmes cis, les femmes trans et les personnes non binaires ayant un ensemble de travaux d\u00e9montr\u00e9, qui sont reconnues par leurs communaut\u00e9s pour leur pratique, leur leadership et leur d\u00e9vouement \u00e0 leur art.<\/p>

Laur\u00e9ate du Prix 2025<\/strong><\/p>

\"\"
Photography Credit: Pascal Lamothe-Kipnes<\/figcaption><\/figure>

Keshia Palm<\/strong>
Ville natale : Tkaron:to \/ Treaty 13 \/ Toronto, o\u00f9 les arbres sont debout dans l\u2019eau<\/p>

Keshia Palm (iel\/leur) est r\u00e9alisatrice, dramaturge, cr\u00e9atrice, interpr\u00e8te, productrice et mentor. En tant que conteuse, le travail de Keshia se concentre sur des perspectives postcoloniales et queerf\u00e9ministes parsem\u00e9es de magie th\u00e9\u00e2trale et iel cherche \u00e0 susciter des liens et des conversations \u00e0 travers des exp\u00e9riences en direct partag\u00e9es. Iel esp\u00e8re cr\u00e9er de l\u2019art et des espaces qui nous rassemblent et nous unissent dans toutes nos Multitudes.<\/p>

Keshia est l\u2019artiste r\u00e9sident Urjo Kareda du Tarragon Theatre en 2025. Iel a pr\u00e9c\u00e9demment \u00e9t\u00e9 productrice artistique du festival de th\u00e9\u00e2tre Paprika (2021-2024), productrice de contenu en ligne pour ArtistProducerResource.com (2018-2021), dramaturge r\u00e9sident du Puente Theatre (2022), et directrice de programmation par int\u00e9rim pour Write from the Hip (2023-2024). Iel a d\u00e9velopp\u00e9 et pr\u00e9sent\u00e9 de nouvelles \u0153uvres avec des artistes et des compagnies de toutes tailles, de l'\u00eele de Vancouver \u00e0 Terre-Neuve. Cr\u00e9dits r\u00e9cents : Anya dans \u00ab The Cherry Orchard \u00bb<\/em> (Modern Times Stage Company), et doublure\/directrice adjointe de \u00ab The Year of the Cello \u00bb<\/em> (Theatre Passe Muraille + Music Picnic). Dramaturgy: \u00ab NewfoundLanded \u00bb<\/em> (Theatre Passe Muraille + Music Picnic). Dramaturgie : \u00ab WHITE MUSCLE DADDY \u00bb<\/em> de Raf Antonio (Buddies in Bad Times Theatre + Pencil Kit Productions). Mise en scene : \u00ab Radium Girls \u00bb<\/em> (York University), \u00ab SEPH \u00bb<\/em> (RISERx Why Not Theatre + Toronto Metropolitan University). Co-cr\u00e9atrice de \u00ab Shadow Girls \u00bb (Rhubarb Festival 2017, Pencil Kit Productions + Blank Canvas at Gladstone Hotel 2018). @keshiapalm \/\/ @theatrepotluck \/\/ keshiapalm.com.\u00a0<\/p>


D\u00e9claration de l'artiste:<\/strong>
Je suis honor\u00e9e et sinc\u00e8rement touch\u00e9e d\u2019\u00eatre reconnue aux c\u00f4t\u00e9s des laur\u00e9ates et finalistes du Prix Gina, pass\u00e9s et pr\u00e9sents, et d\u2019\u00eatre incluse parmi les artistes les plus f\u00e9roces, les plus avant-gardistes et les plus bienveillants du Canada qui incarnent l\u2019h\u00e9ritage de Gina dans leur travail. \u00catre en compagnie d\u2019artistes qui ont bris\u00e9 les barri\u00e8res, qui m\u2019ont inspir\u00e9e personnellement et professionnellement, que j\u2019admire \u00e9norm\u00e9ment, c\u2019est ahurissant. C\u2019est formidable d\u2019\u00eatre reconnue pour ces m\u00eames traits que j\u2019admire tant chez mes mentors, mes a\u00een\u00e9s et chez Gina : l\u2019audace artistique, la magie, la vie sans peur. Je continuerai \u00e0 \u00e9largir ma pratique sans compromis et \u00e0 r\u00eaver d\u2019un avenir prosp\u00e8re pour les artistes et pour tous \u2013 un avenir qui implique la famille, les voyages, le repos, la libert\u00e9 et la s\u00e9curit\u00e9 financi\u00e8res, la souverainet\u00e9 et la dignit\u00e9. C\u2019est l\u00e0 que le grand art se d\u00e9veloppe.<\/p>

Merci aux personnes qui m\u2019ont nomin\u00e9, le conseil d\u2019administration de Paprika, et en particulier \u00e0 Michelle Yagi et \u00e0 Naz Afsahi, d\u2019avoir cru en moi d\u00e8s le d\u00e9but et \u00e0 chaque instant. Merci \u00e0 Nina Lee Aquino, Marjorie Chan, David Yee, Andrea Donaldson, Tanisha Taitt, Jivesh Parasram, Mel Hague, Mercedes B\u00e1tiz-Ben\u00e9t, Peter McGuire \u2014 d\u2019avoir dit la bonne chose ou de m\u2019avoir mise en contact avec la bonne opportunit\u00e9 pour me permettre d\u2019avancer, de trouver ma voie, de tracer ma propre voie.<\/p>

Finalistes<\/strong><\/p>

\"\"Esie Mensah<\/strong>
Ville natale : Hamilton, Ontario, d\u2019origine Ew\u00e9 du Ghana et Togo<\/p>

Esie Mensah est une chor\u00e9graphe, metteur en sc\u00e8ne, danseuse, directrice du mouvement, \u00e9ducatrice et conf\u00e9renci\u00e8re TEDx prim\u00e9e qui travaille dans les domaines de la danse, du th\u00e9\u00e2tre et du cin\u00e9ma. Elle a travaill\u00e9 avec Rihanna, Howie Mandell, Kenny Ortega, Nelly Furtado, la Galerie des Beaux-Arts de l\u2019Ontario (AGO), Nelly Furtado, Holt Renfrew, les Toronto Raptors et bien d\u2019autres. Sue sc\u00e8ne, Mensah a travaill\u00e9 en tant que chor\u00e9graphe\/directrice du mouvement pour \u00ab Three Sisters \u00bb<\/em> (Soulpepper\/Obsidian Theatre), \u00ab Russian Play \u00bb , \u00ab Victory\u00bb ,<\/em>, et \u00ab Farmers\u2019 Revolt \u00bb<\/em> (Shaw Festival), elle a dirig\u00e9 \u00ab Serving Elizabeth \u00bb<\/em> (Theatre Aquarius) et elle a fait ses d\u00e9buts au Festival de Stratford en chor\u00e9graphiant \u00ab Ransacking Troy \u00bb<\/em>. Elle a \u00e9t\u00e9 la chor\u00e9graphe de \u00ab Treemonisha: A Musical Reimagining \u00bb<\/em> de Scott Joplin, pr\u00e9sent\u00e9 au Festival Luminato et TOLive et dont la premi\u00e8re am\u00e9ricaine aura lieu au Harris Theatre de Chicago au printemps.<\/p>

Que signifie \u00eatre finaliste pour moi ?<\/strong>
Je suis tr\u00e8s honor\u00e9e et reconnaissante d\u2019avoir \u00e9t\u00e9 s\u00e9lectionn\u00e9e pour le prix Gina parmi une succession de femmes brillantes. Gina \u00e9tait une actrice du changement qui a pris sur elle afin d\u2019\u00e9tablir un nouveau rythme pour elle-m\u00eame et pour toutes celles qui lui ont succ\u00e9d\u00e9. Je n\u2019ai pas eu le plaisir de la rencontrer, mais c\u2019est un honneur de me retrouver dans son h\u00e9ritage avec les personnes avec lesquelles elle a travaill\u00e9 et qu\u2019elle a aim\u00e9es. Ce prix est une affirmation majeure sur un long chemin vers la d\u00e9couverte, l\u2019authenticit\u00e9 et ma propre v\u00e9rit\u00e9 de suivre un chemin qui m\u2019honore dans ma pl\u00e9nitude afin que je puisse \u00eatre au service de ceux qui m\u2019entourent. \u00c0 la communaut\u00e9 th\u00e9\u00e2trale qui s\u2019est investie \u00e0 travers moi et qui a contribu\u00e9 \u00e0 transformer mon monde de la danse en bien plus, je ne peux pas assez vous remercier. D\u2019une danseuse (Gina) \u00e0 l\u2019autre, je suis reconnaissante.

<\/p>

\"\"Mieko Ouchi<\/strong>
Ville natale : amiskwaciw\u00e2skahikan (Edmonton)<\/p>

\u00c9crivaine, metteure en sc\u00e8ne et dramaturge, Mieko est la directrice artistique associ\u00e9e au Citadel Theatre. Avant cela, elle a \u00e9t\u00e9 \u00e0 la direction artistique de Concrete Theatre pendant 31 ans. Ses films prim\u00e9s ont \u00e9t\u00e9 projet\u00e9s dans plus de trente festivals, dont les festivals internationaux du film de Toronto et de Vancouver et les festivals du film asiatique am\u00e9ricain de San Francisco, New York, Los Angeles et San Diego. Son travail de mise en sc\u00e8ne a \u00e9t\u00e9 r\u00e9compens\u00e9 par sept nominations au Sterling Award et trois prix. Ses pi\u00e8ces ont \u00e9t\u00e9 traduites en sept langues et ont \u00e9t\u00e9 finalistes pour le Prix litt\u00e9raire du Gouverneur g\u00e9n\u00e9ral, le prix Gwen Pharis Ringwood, le prix du livre de la ville d\u2019Edmonton et ont \u00e9t\u00e9 r\u00e9compens\u00e9es par le prix Carol Bolt et le prix Enbridge pour un dramaturge canadien \u00e9tabli. En 2023, Mieko a re\u00e7u le prix de l\u2019artiste distingu\u00e9 du lieutenant-gouverneur de l\u2019Alberta.<\/p>

Que signifie \u00eatre finaliste pour moi ?<\/strong>
Je suis extr\u00eamement \u00e9mue d\u2019\u00eatre finaliste pour le Prix Gina 2025 et de compter parmi les \u00eatres humains ph\u00e9nom\u00e9naux qui ont \u00e9t\u00e9 reconnus depuis 2012. Cela me rend vraiment humble. J\u2019ai eu l\u2019occasion de rencontrer Gina \u00e0 l\u2019ATP \u00e0 Calgary et de la voir jouer et mettre en sc\u00e8ne une pi\u00e8ce \u00e0 playRites. Je n\u2019oublierai jamais l\u2019attention qu\u2019elle apportait \u00e0 ces nouvelles \u0153uvres. Son parcours d\u2019actrice \u00e0 metteure en sc\u00e8ne est un parcours que j\u2019ai \u00e9galement suivi, et elle a \u00e9t\u00e9 un mod\u00e8le tr\u00e8s fortifiant. Son impact continue de se faire sentir et de r\u00e9sonner.<\/p>

Quand mon p\u00e8re Eugene est d\u00e9c\u00e9d\u00e9, notre famille a invent\u00e9 un dicton pour les moments les plus difficiles. Une question qui tentait de r\u00e9pondre \u00e0 la complexe question de ce dont nous avons besoin pour avancer. \u00ab Slug or a hug? \u00bb (un coup ou un c\u00e2lin?) Pour moi, le prix Gina est ces deux choses \u00e0 la fois. C\u2019est un coup dans le bras dont nous avons besoin en tant qu\u2019artiste et qui nous dit : reste forte, je crois en toi, tu es forte, tu peux le faire. Mais c\u2019est aussi le c\u00e2lin qui nous dit : je reconnais que ce n\u2019est pas facile, c\u2019est peut-\u00eatre la chose la plus difficile que tu aies jamais faite, je suis l\u00e0, je comprends, je sais ce que \u00e7a fait.<\/p>

Merci au Prix Gina pour cet incroyable coup et c\u00e2lin. Cela signifie beaucoup.

<\/p>

\"\"Megan Stewart<\/strong>
Ville natale : Epekwitk \/ Ile du Prince Edward<\/p>

Megan Stewart est une artiste de th\u00e9\u00e2tre bas\u00e9e \u00e0 Epekwitk \/ \u00cele-du-Prince-\u00c9douard. En tant que r\u00e9alisatrice, productrice, dramaturge et interpr\u00e8te, elle recherche des projets intrins\u00e8quement collaboratifs, interdisciplinaires et ancr\u00e9s dans des contextes communautaires sp\u00e9cifiques.<\/p>

Megan est la directrice artistique de River Clyde Arts, qui produit une saison d'\u00e9v\u00e9nements th\u00e9\u00e2traux et artistiques en plein air et engag\u00e9s dans la communaut\u00e9 \u00e0 New Glasgow, \u00cele-du-Prince-\u00c9douard. Son projet phare est The River Clyde Pageant, qu'elle a cofond\u00e9 avec Ker Wells en 2016 et qu'elle continue de codiriger chaque \u00e9t\u00e9 avec la s\u0153ur de Ker, Jane Wells.<\/p>

Engag\u00e9e \u00e0 favoriser l'\u00e9panouissement d'espaces pour le th\u00e9\u00e2tre et l'art non conventionnels \u00e0 l'\u00cele-du-Prince-\u00c9douard, Megan a cr\u00e9\u00e9 des festivals et des \u00e9v\u00e9nements de performance c\u00e9l\u00e8bres, notamment la March of the Crows for Art in the Open et le Island Fringe Festival, avec Sarah Segal-Lazar.<\/p>

Que signifie \u00eatre finaliste pour moi ?<\/strong>
C\u2019est un honneur incroyable d\u2019\u00eatre finaliste de ce prix, aux cot\u00e9s de tant d\u2019artistes de th\u00e9\u00e2tre remarquables d\u2019\u00e0 travers le pays. L'h\u00e9ritage de Gina Wilkinson en tant qu'artiste, collaboratrice et chasseuse de joie brille de mille feux, comme en t\u00e9moigne le travail essentiel des laur\u00e9ates et nomin\u00e9es actuelles et pass\u00e9es.<\/p>

Je pense souvent \u00e0 l\u2019h\u00e9ritage cr\u00e9atif \u2013 le r\u00e9seau d\u2019amiti\u00e9s, de pratiques et de valeurs artistiques que nous h\u00e9ritons des personnes qui nous ont enseign\u00e9, inspir\u00e9 et aid\u00e9 \u00e0 grandir, et la fa\u00e7on dont ces liens trouvent leur expression et une vie renouvel\u00e9e dans les communaut\u00e9s. Je suis redevable \u00e0 mon ami et collaborateur Ker Wells, qui m\u2019a permis de m\u2019int\u00e9grer \u00e0 sa toile et de poursuivre le projet que nous avons commenc\u00e9 ensemble il y a plus de dix ans. \u00catre finaliste du prix Gina m\u2019oblige \u00e0 continuer d\u2019entretenir ces liens, \u00e0 cr\u00e9er des espaces o\u00f9 la joie, l\u2019exp\u00e9rimentation et la collaboration peuvent s\u2019\u00e9panouir, et o\u00f9 la prochaine g\u00e9n\u00e9ration d\u2019artistes de th\u00e9\u00e2tre peut d\u00e9couvrir son propre h\u00e9ritage cr\u00e9atif. Je suis remplie de gratitude. Merci !

<\/p>

Nominations et Comit\u00e9 de S\u00e9lection<\/strong>
Les 28 candidatures de partout au pays d\u00e9montrent l'incroyable diversit\u00e9, dynamisme et passion de ce groupe de cheffes artistiques au service de leurs communaut\u00e9s. Elles \u00e9taient inspirantes, originales et d\u00e9di\u00e9es \u00e0 la cr\u00e9ation d'espaces positifs centr\u00e9s sur les soins et la pratique innovante.

<\/p>

A propos du Prix<\/strong>
Le prix Gina rend hommage \u00e0 Gina Wilkinson, d\u00e9c\u00e9d\u00e9e en 2010, et dont le d\u00e9vouement, la vision et l'esprit indomptable ont impr\u00e9gn\u00e9 son travail et sa vie.<\/p>

Le talent artistique interdisciplinaire de Gina en tant que danseuse, artiste visuelle, com\u00e9dienne, dramaturge et metteuse en sc\u00e8ne l'a impos\u00e9e comme une dirigeante et une collaboratrice audacieuse, forte et inventive du th\u00e9\u00e2tre canadien. Elle croyait en la n\u00e9cessit\u00e9 de s'amuser dans la salle de r\u00e9p\u00e9tition, sur sc\u00e8ne et en coulisses, et dans tous les aspects de la vie. Dans l'esprit de l'app\u00e9tit de Gina pour la vie, le prix est un cadeau \u00e0 utiliser de la mani\u00e8re choisie par la r\u00e9cipiendaire. La laur\u00e9ate du prix re\u00e7oit un prix d'un montant de 10 000 dollars et 5 000 dollars sont attribu\u00e9s \u00e0 chaque finaliste.<\/p>

Le Comit\u00e9 du prix Gina Wilkinson (Micheline Chevrier, Krista Jackson, Ann-Marie Kerr, Lindsay Lachance, Kimberley Rampersad, Tom Rooney & Tanisha Taitt) remercie chaleureusement tous ces supporteurs. Gr\u00e2ce \u00e0 leur incroyable g\u00e9n\u00e9rosit\u00e9, l'esprit de Gina perdure.<\/p>

Pour contribuer au Prix Gina: https:\/\/oafdn.ca\/make-a-donation\/<\/a>.

<\/p>

Le prix Gina honore les artistes qui travaillent \u00e0 travers l\u2019\u00eele de la Tortue sur les territoires faisant l'objet de trait\u00e9s et ceux non c\u00e9d\u00e9s. Gr\u00e2ce \u00e0 ce prix, nous cherchons \u00e0 reconna\u00eetre et \u00e0 amplifier leur relation avec la terre sur laquelle elles vivent et les communaut\u00e9s qu'elles servent.<\/em><\/p>

##<\/p>

Pour plus d'information sur le Prix:<\/strong>
Krista Jackson & Kimberley Rampersad, Co-cheffes de comit\u00e9
ginasprize@gmail.com<\/a>
www.ginasprize.ca<\/a><\/p>

Pour plus d'information sur la fondation des arts de l'Ontario :<\/strong>
Bruce Bennett, directeur g\u00e9n\u00e9ral
Fondation des arts de l'Ontario
416-969-7413 | bbennett@oafdn.ca<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Toronto \u2013 March 10, 2025 \u2013 The Gina Wilkinson Prize Committee is pleased to announce that Keshia Palm is the recipient of the 14th annual Gina Wilkinson Prize. Gina\u2019s Prize recognizes theatre artists from underrepresented genders which includes cis women, trans women, and non-binary people with a demonstrated body of work, who are recognized by […]<\/p>\n","protected":false},"author":316,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[18],"tags":[],"class_list":["post-137131","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"yoast_head":"\nKeshia Palm Awarded 2025 Gina Wilkinson Prize - Ontario Arts Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oafdn.ca\/fr\/keshia-palm-awarded-2025-gina-wilkinson-prize\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Keshia Palm Awarded 2025 Gina Wilkinson Prize - Ontario Arts Foundation\" \/>\n<meta property=\"og:description\" content=\"Toronto \u2013 March 10, 2025 \u2013 The Gina Wilkinson Prize Committee is pleased to announce that Keshia Palm is the recipient of the 14th annual Gina Wilkinson Prize. 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