{"id":136740,"date":"2025-02-20T14:35:21","date_gmt":"2025-02-20T19:35:21","guid":{"rendered":"https:\/\/oafdn.ca\/?p=136740"},"modified":"2025-02-20T14:36:25","modified_gmt":"2025-02-20T19:36:25","slug":"winners-of-the-2025-christina-and-louis-quilico-awards-vocal-competition","status":"publish","type":"post","link":"https:\/\/oafdn.ca\/fr\/winners-of-the-2025-christina-and-louis-quilico-awards-vocal-competition\/","title":{"rendered":"Annonce des laur\u00e9ates des prix Christina et Louis Quilico pour l\u2019ann\u00e9e 2025"},"content":{"rendered":"
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Toronto \u2013 le 20 f\u00e9vrier 2025 \u2013 Mardi 20 f\u00e9vrier les \u00e9toiles montantes du Canadian Opera Company Ensemble Studio, le principal programme de formation pour les jeunes professionnels de l'op\u00e9ra au Canada, ont particip\u00e9 au sixi\u00e8me concours biennal des Prix Christina and Louis Quilico, Duncan Stenhouse<\/strong> reportant le premier prix d'un montant de 5 000 dollars. Korin Thomas-Smith<\/strong> a remport\u00e9 le second prix de 3 000 dollars et Emily Rocha<\/strong> le troisi\u00e8me prix de 2 000 dollars. Des prix de d\u00e9veloppement de carri\u00e8re de 1 000 $ chacun ont \u00e9galement \u00e9t\u00e9 remis \u00e0 Wesley Harrison<\/strong>, Queen Hezumuryango<\/strong>, et Karoline Podolak<\/strong>, ainsi que les pianistes Brian Cho<\/strong> et le Mattia Senesi<\/strong>. L'\u00e9v\u00e9nement a eu lieu lors de la s\u00e9rie de concerts gratuits \u00e0 l'amphith\u00e9\u00e2tre Richard Bradshaw du Four Seasons Center for the Performing Arts.<\/p>

\"\"
(gauche \u00e0 droite) Steven Philcox, Morgan Reid, Christina Quilico, premier prix Winner Duncan Stenhouse, troisi\u00e8me prix Emily Rocha, second prix Korin Thomas-Smith, Bruce Bennett, et Roberto Mauro. Photo: Karen E. Reeves<\/figcaption><\/figure>

Le concours a \u00e9t\u00e9 jug\u00e9 par un jury compos\u00e9 de Roberto Mauro<\/strong>, Directeur des op\u00e9rations artistiques & \nPlanification, Canadian Opera Company, Steven Philcox<\/strong>, Professeur agr\u00e9g\u00e9 \u00e0 l'Universit\u00e9 de Toronto\net responsable du programme de piano collaboratif, et Morgan Reid<\/strong>, Directeur de la Division Op\u00e9ra, Dean Artists Management. Les jeunes artistes du concours du 6 f\u00e9vrier ont chant\u00e9 un air de leur choix et un air s\u00e9lectionn\u00e9 par le jury.<\/p>

\"\"
Duncan Stenhouse, Photo: Karen E. Reeves<\/figcaption><\/figure>


A propos de Duncan Stenhouse<\/strong>
N\u00e9 en Irlande du Nord, Duncan Stenhouse est une basse et un compositeur calgarien qui a r\u00e9cemment obtenu son dipl\u00f4me d'op\u00e9ra avanc\u00e9 \u00e0 la Royal Academy of Music gr\u00e2ce au soutien du Sybil Tutton Opera Award et du Philip Hattey Prize. Stenhouse est \u00e9galement un fier dipl\u00f4m\u00e9 de la Memorial School of Music de St. John\u2019s, \u00e0 Terre-Neuve-et-Labrador. Pendant ses \u00e9tudes \u00e0 Londres, en Angleterre, Stenhouse s\u2019est produit dans divers festivals d\u2019\u00e9t\u00e9, notamment le Longborough Festival Opera, le Garsington Opera, l\u2019Opera Holland Park et le Hurn Court Opera. Pendant cette p\u00e9riode, il a chant\u00e9 dans des op\u00e9ras de Britten, Dvor\u00e1k, Mozart, Puccini, Rossini, Strauss, Stravinsky et Verdi. Il a \u00e9t\u00e9 nomm\u00e9 l\u2019un des \u00ab 30 meilleurs musiciens classiques de moins de 30 ans \u00bb par la CBC en 2024 et a remport\u00e9 le prix Sarah Harrison au concours Hurn Court Opera Singer of the Year. Cette saison avec la COC, il a interpr\u00e9t\u00e9 le r\u00f4le du grand pr\u00eatre de Baal dans Nabucco, et chantera le r\u00f4le du premier apprenti dans Wozzeck et celui de Zaretsky dans Eug\u00e8ne On\u00e9guine. Nabucco<\/em>, and will sing the role of First Apprentice in Wozzeck<\/em>, and Zaretsky in Eugene Onegin<\/em>.<\/p>


A propos de L\u2019Ensemble Studio<\/strong>
Le COC Ensemble Studio est un programme novateur de d\u00e9veloppement d'artistes destin\u00e9 aux professionnels \u00e9mergents de l'op\u00e9ra canadiens. L'approche collaborative unique du programme associe \u00e9tudes avanc\u00e9es et exp\u00e9rience pratique \ndans le cadre d'un programme pluriannuel adapt\u00e9 individuellement \u00e0 chaque membre. Les artistes re\u00e7oivent un coaching vocal intensif ; des \u00e9tudes de langues, de mouvement et de jeu d'acteur ; ainsi que des master classes priv\u00e9es avec des professionnels de l'op\u00e9ra renomm\u00e9s.<\/p>

Les membres de l\u2019Ensemble Studio sont les artistes r\u00e9sidents du COC et les ambassadeurs importants de la compagnie. Ils re\u00e7oivent un m\u00e9lange d'\u00e9tudes avanc\u00e9es et d'exp\u00e9riences pratiques au travers d'un programme pluriannuel personnalis\u00e9, comprenant des r\u00f4les de doublure et des r\u00f4les de soliste, un coaching vocal intensif, des \u00e9tudes de jeux et de langues, et un d\u00e9veloppement des comp\u00e9tences professionnelles, ainsi que la participation \u00e0 des classes de maitre avec des professionnels de l'op\u00e9ra de renomm\u00e9e internationale.<\/p>

Depuis 1980, plus de 230 jeunes chanteuses et chanteurs et pianistes canadiens et canadiennes ont acquis leur exp\u00e9rience fondatrice d'op\u00e9ra gr\u00e2ce \u00e0 l'Ensemble Studio. Les anciens membres incluent Ben Heppner, Krisztina Szab\u00f3, Gordon Bintner, Ambur Braid, Miriam Khalil, Wallis Giunta, et David Pomeroy.<\/p>


A propos les prix Christina et Louis Quilico<\/strong>
Christina Petrowska Quilico, C.M., OOnt, FRSC, a cr\u00e9\u00e9 le Fonds Christina et Louis Quilico en 2000 pour honorer son d\u00e9funt mari, le c\u00e9l\u00e8bre baryton Louis Quilico, et pour reconna\u00eetre les jeunes chanteurs exceptionnels. Au cours de ses 45 ann\u00e9es sur sc\u00e8ne, Louis Quilico a partag\u00e9 des cr\u00e9dits d'interpr\u00e9tation avec Luciano Pavarotti, Pl\u00e1cido Domingo, Jos\u00e9 Carreras, Joan Sutherland et Renata Tebaldi. Il a contribu\u00e9 \u00e0 faire avancer la carri\u00e8re de nombreux jeunes chanteurs gr\u00e2ce \u00e0 son enseignement et \u00e0 ses master classes. La Fondation des arts de l'Ontario g\u00e8re la dotation qui finance les prix Christina et Louis Quilico.<\/p>


Remerciements<\/strong>
Le COC Ensemble Studio est souscrit par:<\/strong>
Arrell Family Foundation, The Catherine and Maxwell Meighen Foundation, with major support from Marjorie Linden in memory of Roy Linden, Patrick and Barbara Keenan Foundation, The MacNeill Family Foundation, Brian Wilks, Wendy J. Thompson, The Azrieli Foundation, RBC Foundation, and Stingray with additional support from ARIAS: Canadian Opera Student Development Fund, Marcia Lewis Brown, Neil & Blanche Carragher, Catherine Fauquier, Dr. Eudice Goldberg, Joy Levine, Patricia & Frank Mills, and the Government of Canada.<\/p>

La s\u00e9rie de concerts gratuits dans l'amphith\u00e9\u00e2tre Richard Bradshaw est pr\u00e9sent\u00e9e par TD Bank Group.<\/p>

##<\/p>

Pour plus d'information, veuillez contacter :<\/strong><\/p>

Davin Leivonen-Fok,
Communications Coordinator, Canadian Opera Company
Tel: (416) 306-2330 | davinlf@coc.ca<\/a><\/p>

Bruce Bennett,
Directeur g\u00e9n\u00e9ral, Fondation des arts de l'Ontario
Tel: (416) 969-7413 | bbennett@oafdn.ca<\/a> <\/p>

\u00a0<\/p>

\u00c9tablie en 1991, la Fondation des arts de l'Ontario (FAO) est passionn\u00e9ment engag\u00e9e \u00e0 renforcer le soutien \u00e0 long terme pour les arts en Ontario. En 2023-2024, la FAO a vers\u00e9 4,6 millions de dollars en revenus de dotation et 500 000 dollars en prix et bourses.<\/p>

Bas\u00e9e \u00e0 Toronto, la Compagnie d\u2019op\u00e9ra canadienne est le plus grand producteur d\u2019op\u00e9ra au Canada et l\u2019un des plus importants en Am\u00e9rique du Nord. Le directeur g\u00e9n\u00e9ral David C. Ferguson s\u2019est joint \u00e0 la compagnie en 2024, formant une \u00e9quipe de direction avec le directeur musical Johannes Debus et la directrice g\u00e9n\u00e9rale adjointe Christie Darville. La COC b\u00e9n\u00e9ficie d\u2019un public fid\u00e8le, notamment d\u2019une base d\u2019abonn\u00e9s d\u00e9vou\u00e9s, et jouit d\u2019une r\u00e9putation internationale d\u2019excellence artistique et d\u2019innovation cr\u00e9ative. Son r\u00e9pertoire diversifi\u00e9 comprend de nouvelles commandes et productions, des collaborations locales et internationales avec des compagnies d\u2019op\u00e9ra et des festivals de premier plan, et attire les plus grands artistes canadiens et internationaux du monde. La compagnie est un incubateur pour l\u2019avenir de cette forme d\u2019art, nourrissant la nouvelle vague d\u2019interpr\u00e8tes et de cr\u00e9ateurs d\u2019op\u00e9ra du Canada avec une formation et un soutien personnalis\u00e9s. L\u2019op\u00e9ra sp\u00e9cialement construit par la COC, le Four Seasons Centre for the Performing Arts, est salu\u00e9 \u00e0 l\u2019\u00e9chelle internationale comme l\u2019un des meilleurs au monde. Pour plus d\u2019informations, visitez coc.ca.
.<\/p>

This document is also available in English.<\/em><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Toronto \u2013 February 20, 2025 \u2013 On Tuesday, February 18, the rising stars of the Canadian Opera Company Ensemble Studio, Canada\u2019s premier training program for young opera professionals, competed in the seventh biennial Christina and Louis Quilico Awards, with Duncan Stenhouse claiming the First Prize of $5,000. Korin Thomas-Smith won the Second Prize of $3,000, […]<\/p>\n","protected":false},"author":316,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"nf_dc_page":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[18],"tags":[],"class_list":["post-136740","post","type-post","status-publish","format-standard","hentry","category-news-release"],"acf":[],"yoast_head":"\nWinners of the 2025 Christina and Louis Quilico Awards Vocal Competition - Ontario Arts Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oafdn.ca\/fr\/winners-of-the-2025-christina-and-louis-quilico-awards-vocal-competition\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Winners of the 2025 Christina and Louis Quilico Awards Vocal Competition - Ontario Arts Foundation\" \/>\n<meta property=\"og:description\" content=\"Toronto \u2013 February 20, 2025 \u2013 On Tuesday, February 18, the rising stars of the Canadian Opera Company Ensemble Studio, Canada\u2019s premier training program for young opera professionals, competed in the seventh biennial Christina and Louis Quilico Awards, with Duncan Stenhouse claiming the First Prize of $5,000. 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